Joan Shelley's music is somewhere on the verge of folk music, with a little alt.americana and roots, a term that people use but for me has not much meaning. A singer-songwriter with a modestly playing band behind her is another description. It sets the scene for you. Where the atmosphere is concerned I'm immediately thinking of her Canadian colleague Lauren Mann. The music has the same intimacy for me.
Up front on The Spur is Joan Shelley's voice, harmonising with herself here and there. This voice has a depth and a height going on at the same time and is extremely pleasant to listen to. She sings in a folk style, even that formal way U.K. folkies of old used to sing. Especially so in the duet with Bill Callahan, 'Amberlit Morning'. His low voice underscoring Shelley's formality. Either her voice will draw you into The Spur or the album is without a chance to impress.
Promo photo: Mickie Winters |
With twelve songs the album is exactly right. Less would have made me think, why is it over?, and longer might have become too much of a good thing. Joan Shelley provides an atmosphere that is pleasant to be a part of for a while. The Spur simply is a delight to listen to and simply enough. What else does one need (to do) in such a moment?
Finally, if you like The Spur, give Lauren Mann's 'Memory & Desire' a chance. You ought not to be disappointed.
Wout de Natris
You can listen to and order The Spur here:
https://joanshelley.bandcamp.com/album/the-spur
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