Interview by Wout de Natris
© WoNo Magazine 2015
In 2014 Maggie Brown released its eponymous album which led to quite positive reviews by Erwin Zijleman and Wo. on this blog which ended with a number 3 spot in Wo.'s top 10 for 2014. The next step was simple: let's find out some more about the band and the songs on its beautiful album. Singer/guitarist Marcel Hulst answered our call.
As not all readers may be familiar with the band, how would
you like to introduce yourself?
Five guys who share a love for pop music, in the widest
sense of the word. Yet, we weren't raised on classical music or jazz, but
guitar music from the 80s and 90s. So, that's where most songs take off…
The name of the band is unusual. Who is Maggie Brown? And
what was the reason behind choosing this name for the band?
Maggie Brown is the name of a coffee bar in Brooklyn NY,
where -according to the New York Times- the worst coffee in NYC is served. I
tried, of course, and you might not always believe what's being written in the
papers, but this time they were right.
To start an album with an instrumental is sort of a
dangerous choice for a vocal band. Still, you’ve made this choice. Can you tell
something of the reasons for this choice?
The song popped up, all of a sudden and once it was there,
we said: we've just found our opening song for all our upcoming gigs and the
album.
Influences on the album range, in my opinion, from Pink
Floyd to indie bands like e.g. Caesar. Which bands are influences on your
album, ‘Maggie Brown’?
Sparklehorse, Radiohead, Sufjan Stevens, Midlake
In the lyrics the U.S. and England come by regularly. What
is the link with these countries?
As far as England concerns: I don't know…the U.S. is the
most fascinating country in the world, I think. I go there quite often, and
even though it's still considered the land of hope and dreams by many,
there's not much to dream of anymore. It's not the most friendly country on the
planet, the gap between rich and poor is widening, but people from all over the
world still dream of making it there. Yet, the country will always be an
inspiring haven for dreamers and artists alike. And each time I set foot on
American soil, I feel terribly happy. Bizarre, huh?
As far as songs go, who is responsible for what within
Maggie Brown? How does a typical Maggie Brown song come about?
Usually I come up with 80% -90% of a song, and we try to
make it sound like Maggie Brown.
Sometimes a brilliant idea won't even survive the first
attempt of turning it into a song. Other moments, a three-chord song pops up
and once it's there, we can't remember where it came from. Sometimes,
songwriting is more mind-boggling than witchcraft.
‘Permanent resident card’ on the one hand seems a song on
travelling but on the other about illegal border crossing into the US (which
involves travelling also of course). Can you share what the song is about?
I was traveling from Canada to the U.S. border and I was
held up at the U.S border, while entering Vermont. We waited for 2 hours, and
all bags were checked. We queued up in line, and everyone was interrogated, but
two African people were taken aside and addressed as if they were non-U.S.
citizens. They were repeatedly asked the same stupid questions all over again,
and obviously it had to do with their origin. I objected and was taken aside as
well. They told me rules had tightened because a 28-year-old Afro-American had
killed someone at that very U.S. border protection office. I told him:
"why don't you check all the 28-year-olds?" but he didn't want to
answer any of my questions, obviously. A few minutes later, we all had to pay
our 6 dollar entrance fee, and one of the Africans paid a 20-dollar note. It
was held against the light. I took a 20-dollar note as well, but it wasn't
checked. I told them: "You'd better check my note as well…..". She
looked up, and said: "is there reason to believe it is counterfeit?".
I replied: well, it was issued by an American financial institution, and we all
know where the economical crisis came from…". Ten minutes later I was
continuing my way to Burlington, with an idea for a song…
‘Queen of England’ seems to be about an unobtainable love
(and Elizabeth II was queen around 24). Is the lyric based on a true story, a
personal metaphor or is it fantasy?
A personal metaphor.
Can elaborate on that?
'Queen of England' is kind a of dreamlike song about a youthful, naive outlook on the world and the fact that growing up isn't an easy thing to do. It's hard to be more specific. It may sound as if there's a message in a song, which there isn't in this case. I prefer to keep a distance and like it if things are not too specific. I'd rather describe the scenery around a topic; more as if looking at a picture instead of telling a story.
What does it take for Maggie Brown to let ‘The golden age’
begin?
Well, a booking agent and a record company that has a little
faith…(and a marketing budget).
Several lyrics seem more observations. Where does the
inspiration come from? And, what comes first, the lyrics or the music?
The music, always the music, and lyrics-wise: it's just hard
work. I don't believe that much in inspiration myself, I just have to work very
hard for it. I wish I could go to a park, open a notebook, and be inspired and
write, but I can't.
Your album is on Spotify and Bandcamp. Are these sustainable
models for a starting band? On the other hand, are there alternatives left to
get spotted?
No, Spotify only caters for the U2s, Coldplays and Lady
Gagas I think. Not small indie bands. We stopped selling records the very day
our music was on Spotify. But we don't want to sound frustrated, and don't want
to think too much about sales, just focus on the music. Last week, someone paid
6 euros for 2 latte coffee, but didn't plan on buying the latest War on Drugs
record for 15 euros, for "it's on Spotify anyway…" It really made me
think.
I do hope this vinyl revival will blossom for indie bands as
well, and not just serve pressing plants who 'need to' press a minimum of 500
copies.
The cover art by Gerhard Richter is beautiful. What is the
story behind the cover? How was it “found” and what happened next?
A miracle happened there. I was walking through Cologne
(where Richter lives) and saw the Seestück looming up in the distance. I told
my friend: that's the perfect cover for our album. He said: "Why don't you
write him?" and started laughing. I said: "OK, I will…". A week later I wrote the gallery, and someone replied: you
have to mail his personal assistant.
Which I did. A week later, his assistant said: Gerhard
Richter is in the US and won't be here any time soon, and usually he rejects
these kind of requests. I asked why. She said he's not that much into pop-music
and would -anyhow- need to hear a song before agreeing. I send her a song, and
asked her to forward it. The song was Alaska. A month later he replied.
"Your music is really interesting. You can use one of my paintings as your
album cover. Best regards, Gerhard."
The cover suggests a deeper meaning. The sea, ‘Atlantic’.
What made the band go for this specific painting?
The sea - unfortunately- is the only thing that keeps me
from walking straight into America.
Is Maggie Brown a serious hobby or is there the intention to
grow?
We want to grow. Not because we're a bunch of naive kids who
dream of 'making it into indie music', like a billion others. Besides that,
'making it' is bullshit, especially in Holland. But I feel there's so much more
people out there who might love our songs. And of course; our songs need to
grow, too. We have to get better, both live and in the studio. But believe me:
the 2nd album will be even better.
Speaking of which: I've just finished my first solo-album,
and it's a small step forward.
I'll send you a copy and hopefully you'll dig it!
That gives us something to look forward to. What are your plans with Maggie Brown for 2015?
Recording our 2nd album, starting this weekend. Finding a
booking agent. Getting better.
Posts
Not so long ago I had never heard of Wallace Vanborn. Mrs. Wallace Simpson?, yes. Wallace Connection?, yes. Remember 'Daydream'? If there's a comparison between the two Wallace bands, it's this one: they recorded songs to release them on record, but that's all. Unless there's a family connection? Nonkel Sjors played bass in the older Wallace?
Wallace Vanborn is a trio. Ian Clement, guitars and voice, Sylvester Vanborm, drums and backing vox and Dries Hoof on bass. Together they cook up a vast storm. A storm that seldom lies down to rest. More like the jetstream than a storm. Drums fill up the undergrowth, the bass makes sure the leaves are in place, so that the guitar can take care of the rest of mother nature. High, low, creepy, crawling and above all the wind that rustles everything. Together the trio fills every hole in the sound, like a trio needs to do. In this storm it is nice to find all the details that are put into the compositions. As there are many. These little stray notes, the changes in mood by changing a finger by a half note. The riffs and the fast chord changes, while the vocal melody at times seems independent from the arrangement under it. Fascinating.
