Soon after turning on Slow Death Of A Good Girl, I had to agree with Ms. Aalberts for more than 100%. There were these noise eruptions drowning Hiqpy singer Abir Hamam out totally and why every time a song seemed to be over did this male singer come in? For a second I thought: are there two albums playing at the same time? But somehow it seemed to fit and I was intrigued by the way this music unfolded (while not paying true attention). There would definitely not be a review, that much was certain.
When I had finished writing the text, I wanted to go downstairs to have lunch and switched off Spotify. The aggressive music and singer continued and I still have no clue what it was and why it was playing. I must have clicked on a link or something that started playing by itself. Listening to Hiqpy alone later that same day, gave me a totally different experience and left me wondering about Hester Aalberts' review, as under the current circumstances, I'm not hearing what she heard.
But what do I hear? Hiqpy became a hype because the band was gathering positive reviews, interviews in newspapers and magazines before a single song was released, all based on live shows and a few songs played lived on radio shows. That period was expanded way beyond what any other band would consider commercially smart. Well into 2026 that album is finally there, with a fear of having waited too long, expectations rising too high. Not for me, as I managed to forget about the band with ease and then read the album is there, so started listening.
Based on a first impression, it's clear the wait was well worthwhile. Slow Death Of A Good Girl is a solid, at times even huge album. There was time and finances involved that allowed the album to be as big as it is. With a producer, Danton Supple, of name and fame (Coldplay, U2, Elbow) on board, nothing was left to circumstance and luck. The sound is of a stadium performing band. Hiqpy will not have the routine for that yet and will have to build its name further.
Hiqpy is, besides singer Abir Hamam, guitarist/singer Vincent ter Velde, bassist Tom Radsma and drummer Kasper de Boer. The first three started the band during their student days at the Amsterdam conservatorium. Drummer Kasper joined later. From there things went fast and slow.
The band that springs to mind most for me, is Wolf Alice. The music is quite compatible, as is the singing of the two ladies involved. This U.K. band could be a nice example for Hiqpy. Build a fan base and make each next album one step up the ladder and with each tour move into a bigger venue. Hopefully, Abir Hamam is able to grow with the venues, where Ellie Rowsell appears to have a hard time adapting. Based on what I'm hearing now this could be a feasible scenario.
Where I have a harder time, is that after several listening sessions, still not a single song has stuck in my brain. Don't get me wrong, I like what I'm hearing but where is the recognition that usually is there after two, three listening sessions? And I'm far further than that. This makes me wonder if Slow Death Of A Good Girl is a must have album for me. I will give it some more time, but have not bought the album yet.
So, at the end of the day, I am somewhere in between. Hiqpy has produced a huge album, that as far as I'm concerned is not bothered by an unnecessary "peacock tail", to quote Ms. Aalberts. In its genre it is a great sounding album, but are the songs as good as they seem? Time will tell, but there is reason for a slight doubt. On the other side. Despite liking Wolf Alice's first two albums, including a great live show in Melkweg, I only became a real fan with album three and four. I still cannot sing a single song from the first two. In other words, there is more than just hope for Hiqpy.
Wout de Natris - van der Borght

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