Just before the new year I went to see A Star Is Born with two friends. Alternately we take turns and this was not my choice, but I certainly did not mind going there. The verdict is an easy one: A Star Is Born is a good movie around a by now well known theme. I am certain I saw at least two of the three previous versions. Barbra Streisand and Kris Kristofferson in the 70s and the older one on tv around the same time.
Lady Gaga or Stefani Joanne Angelina Germanotta as she is known to her parents, scored many hits in the past 10 years or so. Not my kind of music, that much is clear. The funny thing is I only know her from pictures in which she wears outrageous costumes and/or hairdo. I would have walked past the girl in the movie 10 times out of ten, not knowing for the life of me what Lady Gaga looks like in a normal situation. Hence it was not difficult to see her in the role of waitress and part time singer in a drag bar, Ally Campana/Maine. For me it made no difference.
Bradley Cooper is a lot better known to me, through several roles but especially the first 'The Hangover' movie. With his long hair and wild beard Cooper was more or less unrecognisable.
The story is more than well-known by now, yet again touching. Country-rock star modelled after many a U.S. star, from Springsteen to Black Crowes on the way down due to all sorts of excesses and a serious hearing problem, meets unknown singer by accident and tags her along to his entourage, brings her on stage, fall in love. She rises extremely fast, speeding up his (ultimate) down fall. Tears all over and an even higher flying career for the girl.
Musically the movie was only interesting in the country-rock songs the two collaborate in on stage. The signature tune of Jackson Maine is your run of the mill country/southern rocker. All the Ally character does solo has nothing to do with the music she attracts the attention of her manager with in the first place but the modern dance/R&B stuff I do not give much for.
It is in the interplay between the two stars, Sam Elliot's role and the banter of the father who keeps telling his Sinatra anecdote, where the movie succeeds. It is natural, it could just be real and that is the magic of good movies, as well as a great complement to all involved.
Wo.
Listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
Saturday, 5 January 2019
Friday, 4 January 2019
Siesta. Hater
Hater returns to the pages of this blog. The Swedish indie rock with a nice pop feel holds a firm tempo in the releases. The only way to get the right skills where writing songs and recording them with ever more inventiveness in my book. Live playing is to get tighter and better through playing more often together (and earning money, hopefully, these modern days). Siesta is the third release in circa one and a half year.
The good thing is that the quality of this album is not suffering in any way from this pace of release. In fact it seems the band shows a little bit more of its influences on Siesta.
When a French "sigh girl" song comes by in the form of 'I Wish I Gave You More Time Because I Love You', the listener is swept back by this bittersweet pop song to circa 1964 and the likes of Françoise Hardy and France Gall. The guitar part would never have been dreamed up at the time, but the rest, the singing, the soft swing, the trumpet are a dead giveaway.
What the long titled song shows, is how Hater manoeuvres between an indie and a pop background. Songs get a perfect blend of the two. Over it the trump card of the band in the form of singer Caroline Landahl is laid down, always mixing between a sad or aloof sounding voice. The music complements her mood, but not without adding to it and escaping that mood here and there, giving the music of Hater a much welcome spark, singer Landahl does not possess or shares with her listeners.
I will not claim that Landahl is a good singer. For that her voice is too thin and slightly breathy. What I do state is that her voice perfectly fits the format this band chose for itself. Listen to 'Fall Off'. The clear sounding guitars bounce off her voice in perfect ways, supporting it and enhancing the song at the same time. Switching between tight and loose in an instrumental outro, where the band is showing us a view of itself jamming in the practice room, translated into an outro. No solos, no wildness, no noise, just supertight playing with small change for those appreciating them by listening intensely.
Through the release of an EP, a full album and now a second album, Hater, only starting in 2016, shows promising progress with Siesta. (No such siesta for Hater.) I am certainly interested to learn about the next step.
Wo.
You can listen to and buy Siesta here:
https://haterfire.bandcamp.com/album/siesta
or listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
The good thing is that the quality of this album is not suffering in any way from this pace of release. In fact it seems the band shows a little bit more of its influences on Siesta.
When a French "sigh girl" song comes by in the form of 'I Wish I Gave You More Time Because I Love You', the listener is swept back by this bittersweet pop song to circa 1964 and the likes of Françoise Hardy and France Gall. The guitar part would never have been dreamed up at the time, but the rest, the singing, the soft swing, the trumpet are a dead giveaway.
What the long titled song shows, is how Hater manoeuvres between an indie and a pop background. Songs get a perfect blend of the two. Over it the trump card of the band in the form of singer Caroline Landahl is laid down, always mixing between a sad or aloof sounding voice. The music complements her mood, but not without adding to it and escaping that mood here and there, giving the music of Hater a much welcome spark, singer Landahl does not possess or shares with her listeners.
I will not claim that Landahl is a good singer. For that her voice is too thin and slightly breathy. What I do state is that her voice perfectly fits the format this band chose for itself. Listen to 'Fall Off'. The clear sounding guitars bounce off her voice in perfect ways, supporting it and enhancing the song at the same time. Switching between tight and loose in an instrumental outro, where the band is showing us a view of itself jamming in the practice room, translated into an outro. No solos, no wildness, no noise, just supertight playing with small change for those appreciating them by listening intensely.
Through the release of an EP, a full album and now a second album, Hater, only starting in 2016, shows promising progress with Siesta. (No such siesta for Hater.) I am certainly interested to learn about the next step.
Wo.
You can listen to and buy Siesta here:
https://haterfire.bandcamp.com/album/siesta
or listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
Thursday, 3 January 2019
WoNoBlog's best read posts ever, 2012 - 2018
Another year over. We are already three days into the New Year. With this final list our looking back is going to come to an end. Once more we put you dear reader in the spotlight and present the 25 most popular posts on this blog ever.
Having started in 2012 we have passed the 2500 posts just over a month ago. That is an awful lot of words all, or nearly all on music.
2018 Was not a spectacular year as 2017 where the number one spot is concerned. Then it kept changing throughout the year. Number one remained number one, firmly. Having said that, there are more than enough new entries and the trend that announced itself late 2017 has continued. Several posts from 2012 have dropped out in 2018.
Enough said. Here are your faves.
25 (18). Teacher Deely. Interview with Chuck Deely (2012)
24 (19). Moon Moon Moon. Help! Help! Help! release party, 6 April 2017 (2017)
23 ( -). Our Country: America Act II. Ray Davies (2018)
22 (17). Canshaker Pi. Canshaker Pi (2016)
21 ( -). "Tiny Room is eigenlijk een familie!" Interview met Stefan Breuer (2018)
20 (15). 4. The Desoto Circus (2017)
19 (16). Night Thoughts. Suede (2016)
18 ( -). Scarlet Roses. Grayson Capps (2018)
17 (14). When On Fire. Christine Owman (2017)
16 (13). Feels Like Going Home. The Box Set. The Walkabouts (2017)
15 (11). Wilder Mind. Mumford & Sons (2015)
14 (10). Down Hearted Blues. Eilen Jewell (2017)
13 (12). The Double EP. A Sea Of Split Peas. Courtney Barnett (2014)
12 ( 9). Lay Low. Lou Doillon (2015)
11 ( -). Live At Jazz Middelheim. Chantal Acda & Bill Frisell (2018)
10 ( 8). See You On The Ice. Carice van Houten (2012)
9 ( 7). Je Doet Je Best Maar Verder. Aafke Romeijn (2016)
8 ( 6). Damaged Good. Bettie Serveert (2016)
7 ( 5). Bowie For Dummies, by Tineke G. (2017)
6 ( 4). The Analogues live, at Schouwburg IJmuiden (2016)
5 ( 3). One Day (Reckoning Song), Asaf Avidan (Wankelmut RMX) (2012)
4 ( -). Risha. David Eugene Edwards & Alexander Hacke (2018)
3 ( -). 67 Lost songs from the 60s. A Discussion (2018)
2 ( 2). Gé Hofenk (2012)
1 ( 1). Remedies. Soup (2) (2017)
Having started in 2012 we have passed the 2500 posts just over a month ago. That is an awful lot of words all, or nearly all on music.
2018 Was not a spectacular year as 2017 where the number one spot is concerned. Then it kept changing throughout the year. Number one remained number one, firmly. Having said that, there are more than enough new entries and the trend that announced itself late 2017 has continued. Several posts from 2012 have dropped out in 2018.
Enough said. Here are your faves.
25 (18). Teacher Deely. Interview with Chuck Deely (2012)
24 (19). Moon Moon Moon. Help! Help! Help! release party, 6 April 2017 (2017)
23 ( -). Our Country: America Act II. Ray Davies (2018)
22 (17). Canshaker Pi. Canshaker Pi (2016)
21 ( -). "Tiny Room is eigenlijk een familie!" Interview met Stefan Breuer (2018)
20 (15). 4. The Desoto Circus (2017)
19 (16). Night Thoughts. Suede (2016)
18 ( -). Scarlet Roses. Grayson Capps (2018)
17 (14). When On Fire. Christine Owman (2017)
16 (13). Feels Like Going Home. The Box Set. The Walkabouts (2017)
15 (11). Wilder Mind. Mumford & Sons (2015)
14 (10). Down Hearted Blues. Eilen Jewell (2017)
13 (12). The Double EP. A Sea Of Split Peas. Courtney Barnett (2014)
12 ( 9). Lay Low. Lou Doillon (2015)
11 ( -). Live At Jazz Middelheim. Chantal Acda & Bill Frisell (2018)
10 ( 8). See You On The Ice. Carice van Houten (2012)
9 ( 7). Je Doet Je Best Maar Verder. Aafke Romeijn (2016)
8 ( 6). Damaged Good. Bettie Serveert (2016)
7 ( 5). Bowie For Dummies, by Tineke G. (2017)
6 ( 4). The Analogues live, at Schouwburg IJmuiden (2016)
5 ( 3). One Day (Reckoning Song), Asaf Avidan (Wankelmut RMX) (2012)
4 ( -). Risha. David Eugene Edwards & Alexander Hacke (2018)
3 ( -). 67 Lost songs from the 60s. A Discussion (2018)
2 ( 2). Gé Hofenk (2012)
1 ( 1). Remedies. Soup (2) (2017)
Wednesday, 2 January 2019
Wo.'s Top 10 live shows of 2018
2018 was quite the musical year. All in all I saw, not including unaccounted for encounters with musicians on streets or in parks and an amateur festival, 59 acts play live music in 2018 in locations ranging from a World War II air raid shelter to the Concertgebouw and from the Q-Bus in Leiden to the Ziggo Dome in Amsterdam. Beautiful shows from just one man with a guitar to an orchestra playing David Bowie's 'Blackstar'. Trying to make a list proved nearly impossible this year. I kept striping off older shows in favour of more recent ones. Most likely because the impression was so much fresher. It may just not be overly representative this list, but the best I can do right now. With three honourable mentions, as they were the last to go: The Stream, Django Django and No Ninja Am I.
What is safe to say, is that the more intimate the show the more impressive it is. With one major exception, all shows were in smaller venues right up to my own home where four performances were staged in 2018. It does not get more intimate than that and so very, very special.
So let me conclude that these are the shows that I would like to have you focus on once again. Whether they really were the best? It's impossible to compare in the end, isn't it? It is the feeling that remains in me, some images and the memory of having heard the music. That last part is gone forever, unique for that single event.
10. Johan
Johan is back and perhaps better and tighter than ever. The show was simply impressive and the new songs held up very well against the old favourites. Hearing songs from the first album, including the Aphrodite's Child cover was a pleasant surprise. 1996 or 7 in the LVC in Leiden is indeed a long time ago. So long ago LVC is a restaurant called Moskou in 2019.
http://wonomagazine.blogspot.com/2018/12/johan-and-scram-c-baby-live-patronaat.html
9. Out of Skin
The duo played an extremely intense, yet beautiful set in my own living room. Those present were very much impressed by the music played on an acoustic guitar and a harp.
http://wonomagazine.blogspot.com/2018/11/sunday-at-eight-and-out-of-skin-live.html
8. Amber Arcades
Annelotte de Graaf made a giant step in her career. On record, my #4 of 2018, and on stage. Self-confidence was present in abundance at the Sugar Factory in Amsterdam.
http://wonomagazine.blogspot.com/2018/10/a-thing-called-growth-amber-arcades.html
7. The Analogues
Into its third tour The Analogues tackled 'The Beatles' or "The White Album". Through the years I had come to appreciate the album more and more. This perfect show topped things off for me. And to think that 'Abbey Road' is up next (and Diederik Nomden's long awaited, second solo album!).
http://wonomagazine.blogspot.com/2018/02/the-analogues-play-white-album-carre.html
6. Broeder Dieleman
It was long ago that such a community feeling, intimate and serene had gripped me so tightly. It must have been singing in the catholic church at Christmas as a small child, all singing 'Gloria, In Excelcis Deo'. Broeder Dieleman made his audience sing along, to two darkish, serene songs and created instant beauty during an extremely intimate show.
http://wonomagazine.blogspot.com/2018/11/bedwelming-broeder-dieleman-live-het.html?m=0
5. Sophie Hunger
Sophie Hunger toured behind her new album 'Molecules', so different yet so Sophie Hunger. The electronics were given a large spot in her show, that neared perfection. The foursome sang together beautifully while playing the new and the old to perfection. Sophie Hunger is one of the most important new artists in Europe in 2018.
http://wonomagazine.blogspot.com/2018/11/sophie-hunger-live-dewey-tolhuistuin.html
4. TMGS
What a show! Having released its new album in October, the band was able to play the Q-Bus in Leiden. The kind of show too few people saw by a band that is so good. On record and on stage. When 'Tell Everyone' came by, the shivers went down my spine ... and back up. TMGS should be able to tour a lot more and get its name out in light.
http://wonomagazine.blogspot.com/2018/12/tmgs-and-dieter-van-der-westen-band.html
3. Soup
Soup delivered one of the best albums of 2017 and toured The Netherlands in early spring. What an impressive show. The complex progrock of the band was played with the assistance of an extra guitarist who was able to play like a member of the band, solo's and all. Beautiful songs received beautiful renditions. Just wow.
http://wonomagazine.blogspot.com/2018/05/the-pure-magic-of-soup-live-de.html
2. Roger Waters
'Us & Them' the show was called and political from the first to the last second. Roger Waters did not spare anyone who annoyed him for many reasons. Not in the least the president of the United States of America. Musically Waters had gathered a great band that played songs from Pink Floyd and his latest solo album to great enjoyment of all the grey and bald headed middle aged men, mostly. Nostalgia?, yes, of course, but when served up in this shape, please send me some more.
http://wonomagazine.blogspot.com/2018/06/roger-waters-live-ziggo-dome-amsterdam.html
1. Maggie Brown
Yes, in my own living room again. Amsterdam based band Maggie Brown played a show of such intimacy that all present who were not a fan of the band, left as one. Spontaneous, intense, relaxed and attentive, the band seemed made for this session and this audience. With songs from both albums and a lead guitarist, who, sitting on the couch next to two middle aged ladies, played his first show, shuffling through his notes in front of him. The sheer magic of music visited our house once again.
https://wonomagazine.blogspot.com/2018/06/maggie-brown-live-living-room-show.html
Wo.
What is safe to say, is that the more intimate the show the more impressive it is. With one major exception, all shows were in smaller venues right up to my own home where four performances were staged in 2018. It does not get more intimate than that and so very, very special.
So let me conclude that these are the shows that I would like to have you focus on once again. Whether they really were the best? It's impossible to compare in the end, isn't it? It is the feeling that remains in me, some images and the memory of having heard the music. That last part is gone forever, unique for that single event.
10. Johan
Johan is back and perhaps better and tighter than ever. The show was simply impressive and the new songs held up very well against the old favourites. Hearing songs from the first album, including the Aphrodite's Child cover was a pleasant surprise. 1996 or 7 in the LVC in Leiden is indeed a long time ago. So long ago LVC is a restaurant called Moskou in 2019.
http://wonomagazine.blogspot.com/2018/12/johan-and-scram-c-baby-live-patronaat.html
9. Out of Skin
The duo played an extremely intense, yet beautiful set in my own living room. Those present were very much impressed by the music played on an acoustic guitar and a harp.
http://wonomagazine.blogspot.com/2018/11/sunday-at-eight-and-out-of-skin-live.html
8. Amber Arcades
Annelotte de Graaf made a giant step in her career. On record, my #4 of 2018, and on stage. Self-confidence was present in abundance at the Sugar Factory in Amsterdam.
http://wonomagazine.blogspot.com/2018/10/a-thing-called-growth-amber-arcades.html
7. The Analogues
Into its third tour The Analogues tackled 'The Beatles' or "The White Album". Through the years I had come to appreciate the album more and more. This perfect show topped things off for me. And to think that 'Abbey Road' is up next (and Diederik Nomden's long awaited, second solo album!).
http://wonomagazine.blogspot.com/2018/02/the-analogues-play-white-album-carre.html
6. Broeder Dieleman
It was long ago that such a community feeling, intimate and serene had gripped me so tightly. It must have been singing in the catholic church at Christmas as a small child, all singing 'Gloria, In Excelcis Deo'. Broeder Dieleman made his audience sing along, to two darkish, serene songs and created instant beauty during an extremely intimate show.
http://wonomagazine.blogspot.com/2018/11/bedwelming-broeder-dieleman-live-het.html?m=0
5. Sophie Hunger
Sophie Hunger toured behind her new album 'Molecules', so different yet so Sophie Hunger. The electronics were given a large spot in her show, that neared perfection. The foursome sang together beautifully while playing the new and the old to perfection. Sophie Hunger is one of the most important new artists in Europe in 2018.
http://wonomagazine.blogspot.com/2018/11/sophie-hunger-live-dewey-tolhuistuin.html
4. TMGS
What a show! Having released its new album in October, the band was able to play the Q-Bus in Leiden. The kind of show too few people saw by a band that is so good. On record and on stage. When 'Tell Everyone' came by, the shivers went down my spine ... and back up. TMGS should be able to tour a lot more and get its name out in light.
http://wonomagazine.blogspot.com/2018/12/tmgs-and-dieter-van-der-westen-band.html
3. Soup
Soup delivered one of the best albums of 2017 and toured The Netherlands in early spring. What an impressive show. The complex progrock of the band was played with the assistance of an extra guitarist who was able to play like a member of the band, solo's and all. Beautiful songs received beautiful renditions. Just wow.
http://wonomagazine.blogspot.com/2018/05/the-pure-magic-of-soup-live-de.html
2. Roger Waters
'Us & Them' the show was called and political from the first to the last second. Roger Waters did not spare anyone who annoyed him for many reasons. Not in the least the president of the United States of America. Musically Waters had gathered a great band that played songs from Pink Floyd and his latest solo album to great enjoyment of all the grey and bald headed middle aged men, mostly. Nostalgia?, yes, of course, but when served up in this shape, please send me some more.
http://wonomagazine.blogspot.com/2018/06/roger-waters-live-ziggo-dome-amsterdam.html
![]() |
| Photo: Suzanne Liem |
Yes, in my own living room again. Amsterdam based band Maggie Brown played a show of such intimacy that all present who were not a fan of the band, left as one. Spontaneous, intense, relaxed and attentive, the band seemed made for this session and this audience. With songs from both albums and a lead guitarist, who, sitting on the couch next to two middle aged ladies, played his first show, shuffling through his notes in front of him. The sheer magic of music visited our house once again.
https://wonomagazine.blogspot.com/2018/06/maggie-brown-live-living-room-show.html
Wo.
Tuesday, 1 January 2019
Wo.'s Top 10 records of 2018
Another year over, the sixth since this blog started, the 17th since WoNo Magazine was created and the 2nd since the demise of the magazine. From us all at WoNo Magazine we wish you the brightest of years with fantastic new music, but never forget to listen to your old favourites. They are what to compare to, the standard for things new.
2018 was a year in which several amazing records saw the light of day and a fair number of very, very pleasant ones. It was tough making choices.
2018 is also the year that another decade is getting close to its end. Will we have another roaring 20s? The 10s were a lot more peaceful, despite all complaining, than 100 years ago. At least in my part of the world. The end of the decade also means having to think of what were the best records of this decade. Still a whole year to go.
2018 was also a year in which many of my favourite artists of the past years released new records. Franz Ferdinand, 2004 and 2005, Arctic Monkeys, 2006, 2007, 2011, TMGS, 2013, broeder Dieleman and Sophie Hunger, (2015) . How did they fare in 2018? Are there any newcomers to welcome in the list?
2018 saw the light of day of several fantastic mini albums and EPs. I stand guilty of making it easy on myself and not include them in my top 10 of the year. Perhaps not fair, but I make the list so set my rules. What I can do is give you an insight into my truly favourite mini albums of the year.
Let me start by mentioning the beautiful and fantastic 'Heartbreak Hi' by The LVE. Pop music as it is supposed to sound and played. Punkrockers Justine and the Unclean made a perfect mini album called 'Heartbreakes and Hot Problems'. Then there is the three song single by Donna Blue. Not to forget 'Generation X' by the Greek one man band Vagina Lips. New wave and punk like they still make it in Thessaloniki. The four song EP by No Ninja Am I, sounds so pleasant. The price of prizes here goes to Belle and Sebastian who released three mini albums in three months gathered in one cd called 'How To Solve Our Human Problems'. Each EP was a gem filled with pop songs like there will be no (problems) tomorrow.
A fantastic reissue this year was '///Codename: Dustsucker' by an obscure band from the U.K. called Bark Psychosis. The four cd reissue box by Pere Ubu was a great introduction to the band for me. On top of that all is, again, The Beatles. "The White Album" gets all the attention this year, and quite rightly so.
Like every year it is fairly easy at first to be strict on the striping off albums from the longlist. A lot disappears in three to four sesions. The hard part starts when there are only circa 15 albums left. Which one to stripe off now, while they all deserve a spot in my opinion? The Peawees' 'Moving Targets', no matter how much fun, lost its place. Modern Studies' album 'Welcome Stranger' is extremely beautiful as is 'Bird Streets' and 'Gold Coast' by Distance, Light and Sky. The final one to go was Johan's comeback album, 'Pull Up'. Albums that all could have made it into this list, were it not for....
10. Komma. Broeder Dieleman
It is impossible, most likely, for broeder Dieleman to ever surprise me again like he did with 'Gloria' in 2015. Still, Komma is one of the most beautiful albums made in 2018. Impressive, soul-searching and deeply touching. With its experimental album and one with regular songs, for broeder Dieleman that is, it is also different from all other albums here. And then I haven't even started on the artwork. Museum worthy in many different ways. It is a miracle that albums like this can even be released in 2018. Deep respect for the people at Snowstar Records.
http://wonomagazine.blogspot.com/2018/09/komma-broeder-dieleman.html
9. Marble Skies. Django Django
Yes, I hesitated but Django Django made the cut. An album filled with fun songs, each filled with little sounds, their beats, blops and peeps. The best songs on Marble Skies all make the sun come out. Little treasures they are. Django Django managed to make a third album, in a row, that matters.
http://wonomagazine.blogspot.com/2018/01/marble-skies-django-django.html
8. Molecules. Sophie Hunger
Quite a risk Sophie Hunger took, as this certainly is not the album I expected. Electronics set the atmosphere of Molecules. A move to Berlin brought Sophie Hunger in contact with different music and different musicians, resulting in an album that in all its finesses is totally Sophie Hunger, while totally different from its predecessors. Quite a feat.
http://wonomagazine.blogspot.com/2018/08/molecules-sophie-hunger.html
7. Simulation Theory. Muse
An album where all things Muse come together including some new influences as well. Overwhelming, yet somehow, somewhere, strangely human. This may over time prove to be the band's best.
https://wonomagazine.blogspot.com/2018/11/simulation-theory-muse.html
6. Tranquility Base Hotel & Casino. Arctic Monkeys
Another album that nobody expected to sound like this. After taking a recording rest for 5 years Alex Turner and his men opted for a sound that is somewhere in between their last album, 'AM', and The Last Shadow Puppets, his other band. Resulting in a heavy duty album that needs investing into. In fact it is still growing on me, with no telling where it will end.
http://wonomagazine.blogspot.com/2018/05/tranquility-base-hotel-casino-arctic.html
5. Songs Of Praise. Shame
This album was my #1 for the first six months of the year and then other albums happened. I still love the energy of youth that is exhumed from every bit and bite of this disk. Raw energy, unnuanced, everything Arctic Monkeys was in 2006 and almost as good. Punk mixed with good old English brawl and a healthy dose of self-confidence. Shame?, nah, Pride would have been a better name.
http://wonomagazine.blogspot.com/2018/01/songs-of-praise-shame.html
4. European Heatbreak. Amber Arcades
Yes, yes, yes, another album sounding different than I had expected, yet a total triumph. Amber Arcades lays down a beautiful mood of things past, future and present. Melancholy, holding back on emotions, while they are evidently (omni)present. A fine balance is struck that intrigues every time I play this record and that happened a lot since summer.
https://wonomagazine.blogspot.com/2018/10/european-heartbreak-amber-arcades.html
3. Anaana. Cari Cari
From the very first note, this record exploded within me. This duo from Austria lays down something very, very special. With influences in music and sounds, a didgeredoo e.g., from all over the world and a truckload of reverb, fantastic songs are presented. And not just songs. With every other song something new is introduced, a change of heart, feeling and emotions coming through in the music. So utterly impressive. This would be my #1 if I did not have a slight hesitation whether the album will really stand up in the months to come. The top two does I am already sure. So things may change in the overview of the 10s in one year's time....
https://wonomagazine.blogspot.com/2018/10/anaana-cari-cari.html
2. Ain't No Place. TMGS
Does absolute and utter beauty in music exist? Yes, as these pages fairly regularly attest to. One of the examples I can point to is Ain't No Place by the Belgian band TMGS. It is music that silences me, singing along inwardly, following all the small details in the songs, that are so well crafted and arranged. There is so much going on. From soft country-tinged ballads to alternative country rockers, with guitar work from outer space, it all comes by and then that those trumpets enter. Ahhh! Peter Lodiers' voice suits the music so well. Not one song of the ten is weak and several reach for the highest peaks and scale them, with ease. TMGS, and I will write it once more, deserves a worldwide audience of devoted fans.
http://wonomagazine.blogspot.com/2018/10/aint-no-place-tmgs.html
1. Always Ascending. Franz Ferdinand
And so the #1 in my list of 2004 and 2005 returns to the top spot. With an album that was announced as disco, Franz Ferdinand delivers an album that is totally balanced. With one song that deserves this place by itself: 'Always Ascending' is three songs into one. Each part would have delivered a great song if followed up solely. The music is upbeat, fun, danceable, pleases the ears in several ways as a lot is happening in sounds and arranging. In short, the sort of album I had hoped Actic Monkeys would have made (in its own style of course). Innovative, yet 100% recognisable and simply fantastic.
http://wonomagazine.blogspot.com/2018/02/always-ascending-franz-ferdinand.html
So, as a good friend once told me, "you are very loyal to your favorites of old". The answer is yes and no. Paul McCartney is not in this list e.g., but more recent favourites are and yes, they made albums that totally surprised me or simply touched on the right strings inside of me. There are only two new names compared to lists of the past years, but then, the old ones made fantastic new albums, so it can't be helped that they have found their way here. But, it is time to move on towards the music coming to us in 2019.
Wo.
2018 was a year in which several amazing records saw the light of day and a fair number of very, very pleasant ones. It was tough making choices.
2018 is also the year that another decade is getting close to its end. Will we have another roaring 20s? The 10s were a lot more peaceful, despite all complaining, than 100 years ago. At least in my part of the world. The end of the decade also means having to think of what were the best records of this decade. Still a whole year to go.
2018 was also a year in which many of my favourite artists of the past years released new records. Franz Ferdinand, 2004 and 2005, Arctic Monkeys, 2006, 2007, 2011, TMGS, 2013, broeder Dieleman and Sophie Hunger, (2015) . How did they fare in 2018? Are there any newcomers to welcome in the list?
2018 saw the light of day of several fantastic mini albums and EPs. I stand guilty of making it easy on myself and not include them in my top 10 of the year. Perhaps not fair, but I make the list so set my rules. What I can do is give you an insight into my truly favourite mini albums of the year.
Let me start by mentioning the beautiful and fantastic 'Heartbreak Hi' by The LVE. Pop music as it is supposed to sound and played. Punkrockers Justine and the Unclean made a perfect mini album called 'Heartbreakes and Hot Problems'. Then there is the three song single by Donna Blue. Not to forget 'Generation X' by the Greek one man band Vagina Lips. New wave and punk like they still make it in Thessaloniki. The four song EP by No Ninja Am I, sounds so pleasant. The price of prizes here goes to Belle and Sebastian who released three mini albums in three months gathered in one cd called 'How To Solve Our Human Problems'. Each EP was a gem filled with pop songs like there will be no (problems) tomorrow.
A fantastic reissue this year was '///Codename: Dustsucker' by an obscure band from the U.K. called Bark Psychosis. The four cd reissue box by Pere Ubu was a great introduction to the band for me. On top of that all is, again, The Beatles. "The White Album" gets all the attention this year, and quite rightly so.
Like every year it is fairly easy at first to be strict on the striping off albums from the longlist. A lot disappears in three to four sesions. The hard part starts when there are only circa 15 albums left. Which one to stripe off now, while they all deserve a spot in my opinion? The Peawees' 'Moving Targets', no matter how much fun, lost its place. Modern Studies' album 'Welcome Stranger' is extremely beautiful as is 'Bird Streets' and 'Gold Coast' by Distance, Light and Sky. The final one to go was Johan's comeback album, 'Pull Up'. Albums that all could have made it into this list, were it not for....
10. Komma. Broeder Dieleman
It is impossible, most likely, for broeder Dieleman to ever surprise me again like he did with 'Gloria' in 2015. Still, Komma is one of the most beautiful albums made in 2018. Impressive, soul-searching and deeply touching. With its experimental album and one with regular songs, for broeder Dieleman that is, it is also different from all other albums here. And then I haven't even started on the artwork. Museum worthy in many different ways. It is a miracle that albums like this can even be released in 2018. Deep respect for the people at Snowstar Records.
http://wonomagazine.blogspot.com/2018/09/komma-broeder-dieleman.html
9. Marble Skies. Django Django
Yes, I hesitated but Django Django made the cut. An album filled with fun songs, each filled with little sounds, their beats, blops and peeps. The best songs on Marble Skies all make the sun come out. Little treasures they are. Django Django managed to make a third album, in a row, that matters.
http://wonomagazine.blogspot.com/2018/01/marble-skies-django-django.html
8. Molecules. Sophie Hunger
Quite a risk Sophie Hunger took, as this certainly is not the album I expected. Electronics set the atmosphere of Molecules. A move to Berlin brought Sophie Hunger in contact with different music and different musicians, resulting in an album that in all its finesses is totally Sophie Hunger, while totally different from its predecessors. Quite a feat.
http://wonomagazine.blogspot.com/2018/08/molecules-sophie-hunger.html
7. Simulation Theory. Muse
An album where all things Muse come together including some new influences as well. Overwhelming, yet somehow, somewhere, strangely human. This may over time prove to be the band's best.
https://wonomagazine.blogspot.com/2018/11/simulation-theory-muse.html
6. Tranquility Base Hotel & Casino. Arctic Monkeys
Another album that nobody expected to sound like this. After taking a recording rest for 5 years Alex Turner and his men opted for a sound that is somewhere in between their last album, 'AM', and The Last Shadow Puppets, his other band. Resulting in a heavy duty album that needs investing into. In fact it is still growing on me, with no telling where it will end.
http://wonomagazine.blogspot.com/2018/05/tranquility-base-hotel-casino-arctic.html
5. Songs Of Praise. Shame
This album was my #1 for the first six months of the year and then other albums happened. I still love the energy of youth that is exhumed from every bit and bite of this disk. Raw energy, unnuanced, everything Arctic Monkeys was in 2006 and almost as good. Punk mixed with good old English brawl and a healthy dose of self-confidence. Shame?, nah, Pride would have been a better name.
http://wonomagazine.blogspot.com/2018/01/songs-of-praise-shame.html
4. European Heatbreak. Amber Arcades
Yes, yes, yes, another album sounding different than I had expected, yet a total triumph. Amber Arcades lays down a beautiful mood of things past, future and present. Melancholy, holding back on emotions, while they are evidently (omni)present. A fine balance is struck that intrigues every time I play this record and that happened a lot since summer.
https://wonomagazine.blogspot.com/2018/10/european-heartbreak-amber-arcades.html
3. Anaana. Cari Cari
From the very first note, this record exploded within me. This duo from Austria lays down something very, very special. With influences in music and sounds, a didgeredoo e.g., from all over the world and a truckload of reverb, fantastic songs are presented. And not just songs. With every other song something new is introduced, a change of heart, feeling and emotions coming through in the music. So utterly impressive. This would be my #1 if I did not have a slight hesitation whether the album will really stand up in the months to come. The top two does I am already sure. So things may change in the overview of the 10s in one year's time....
https://wonomagazine.blogspot.com/2018/10/anaana-cari-cari.html
2. Ain't No Place. TMGS
Does absolute and utter beauty in music exist? Yes, as these pages fairly regularly attest to. One of the examples I can point to is Ain't No Place by the Belgian band TMGS. It is music that silences me, singing along inwardly, following all the small details in the songs, that are so well crafted and arranged. There is so much going on. From soft country-tinged ballads to alternative country rockers, with guitar work from outer space, it all comes by and then that those trumpets enter. Ahhh! Peter Lodiers' voice suits the music so well. Not one song of the ten is weak and several reach for the highest peaks and scale them, with ease. TMGS, and I will write it once more, deserves a worldwide audience of devoted fans.
http://wonomagazine.blogspot.com/2018/10/aint-no-place-tmgs.html
1. Always Ascending. Franz Ferdinand
And so the #1 in my list of 2004 and 2005 returns to the top spot. With an album that was announced as disco, Franz Ferdinand delivers an album that is totally balanced. With one song that deserves this place by itself: 'Always Ascending' is three songs into one. Each part would have delivered a great song if followed up solely. The music is upbeat, fun, danceable, pleases the ears in several ways as a lot is happening in sounds and arranging. In short, the sort of album I had hoped Actic Monkeys would have made (in its own style of course). Innovative, yet 100% recognisable and simply fantastic.
http://wonomagazine.blogspot.com/2018/02/always-ascending-franz-ferdinand.html
So, as a good friend once told me, "you are very loyal to your favorites of old". The answer is yes and no. Paul McCartney is not in this list e.g., but more recent favourites are and yes, they made albums that totally surprised me or simply touched on the right strings inside of me. There are only two new names compared to lists of the past years, but then, the old ones made fantastic new albums, so it can't be helped that they have found their way here. But, it is time to move on towards the music coming to us in 2019.
Wo.
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