Sunday, 6 September 2026

2026, week 36. 10 singles (2)

The days are getting frighteningly shorter, as they do once we've reached September. Only 17 days before the sun crosses the equator, going south. There's always music, no matter what. So here are ten singles, varied as always. Enjoy!

Hope Our Paths Cross EP. Tommy WÁ

An uncertain, hesitant voice, the kind that is not exactly easily accepted in the local choir. The music is of a folky nature, with a piano and an organ as well. The first name that shot into my head was City and Colour where the intensity of the opening song, 'Into Your Arms', is concerned. I'm not entirely honest here, as my first thought was a band that I truly do not like, Chefs' Special, and let 'Into Your Arms' be that band's greatest hit. (This was before I'd read the title of Tommy Wá's song!) Tommy Wá is a Nigerian singer-songwriter and Hope Our Paths Cross is his third EP. In his bio he is compared to Michael Kiwanuka and there is some truth in this. Wá is able to reach a maximum effect with relatively little instruments while relying on his voice that is not your average. Typical, yet strong and varied. I had not heard of Tommy Wá until listening to this EP and I have to say that his songs go down really well. At this point 'Alleluya (Another World)' is my favourite. Slow, but with a lush, lingering melody, that is so easy to connect with. It may well be that Tommy Wá is a name to watch.

The Hockey Song EP. Miss Georgia Peach 

Miss Georgia Peach goes country in honour of a Minnasota hockey team, the Frost and the U.S. woman hockey team that won a gold medal at the Olympics. All that means nothing in a country where speed skating is the number one winter sport. That aside. The bio referred to the movie 'Slapshot' and I had all but forgotten about it. Now I'm pointed to it, I'm immediately associating it with the outlaw Argentina squad at the World Cup last summer in the U.S.A, Canada and Mexico. They played exactly like the team around Paul Newman's character did in 'Slapshot'. The song 'A Little Bit South Of Sasketoon' is a cover of someone called Stompin' Tom Connors and apparently was played in 'Slapshot'. In the version of Miss Georgia Peach it is a fun song, uptempo country, where the joy of playing it shines through every second of the song. I'll refrain from commenting on The Hockey Song. That is best for all concerned.

Closer To The Water. Caution Bomb

Believe you me, there is a record label called Mom's Basement and it has released this single by Caution Bomb. Hailing from Ohio, the trio presents a song somewhere between punkrock and powerpop. It has the credentials to be called punkrock and flows so easy that the pop description is fully deserved as well. Caution Bomb really deserves both monikers. Caution Bomb is guitarist/vocalist and primary songwriter Johnny Stanec, drummer Beau Basement and bassist B.J. Lisko. They have teamed up to continue down rock's path together. On 6 November album 'My Kind Of Team' will be released and if the songs on it are as good as Closer To The Water, it is something to truly look out for.

Don't Say A Word. Blood Red Shoes

About a year ago I was in fear to have lost another band that I truly like for the past circa 20 years. Unnecessarily so, as before the summer a new single was released and here is another, with album 'Stay Lonely' just down the road (18 September). Don't Say A Word is a song that again has an electronic foundation, like more recent songs by Blood Red Shoes have. Most likely the duo will partly play live as a four piece again, like a few years ago. Don't Say A Word combines the alternative rock side with the more poppy side of the band and which came through on singer/guitarist Laura-Mary Carter's solo album 'Bye Bye Jackie'. The combination makes Blood Red Shoes' new single less predictable and good. The musical effects and sounds make it a treat to listen to, the verses are alternatively totally credible, while the chorus is as poppy as this band has ever been. Two more weeks only!

The Fountain. DIIV

DIIV can be found with three albums on this blog, from 2012, 2016 and 2024. Looking in my collection, I only find  the 2016 one, 'Is The Is Are' on record. On 30 October the band's fifth album 'ZIRP!' will be released, so it appears I missed one along the way. Single The Fountain is an alternative rock song that is not afraid of blowing itself up to huge proportions, while singer Zachery Cole Smith sings with his typical soft and timid voice. Guitars are all over the place, distorted, fuzzed, and what not, layer upon layer is placed with a quiet interlude that goes into the second verse. A little Nirvana, yes, but more playful with the sounds and far more layered in the textures of the song. It makes for interesting listening as The Fountain is musically multi-dimensional. I like it alright.

Wonder Woman. Kurt Baker

Only a few weeks ago I reviewed a long lost Kurt Baker album from 2010 and here is a new single already. With Wonder Woman Baker does what he's so good at. Finding an interesting riff and translating that riff into a hard rocking song. Together with Brad Marino and Geoff Palmer, Kurt Baker has become my favourite American artist who keeps alive the sort of music that was great in the late 70s and beyond and still sounds good today, if in some cases not better than then. The skills of writing, playing and arranging has risen since 1978. Wonder Woman is a great example of that. No, I can't and won't call it original, but as long as it rocks like Wonder Woman, you won't hear me complaining.

Fade. Soft Science

Well into the 15th year of the blog and still new names pop up in the singles section so regularly, that it shows that more band are releasing records, perhaps even more than ever before. Soft Science is such a new name. It is a big band, Katie Haley (lead vocals, percussion), Matt Levine (lead guitar), Ross Levine (guitar, backing vocals), Tony Cale (drums), Becky Cale (bass, backing vocals), and Hans Munz (electronics), are all a part of it. All people of a certain age that still or once again are making music together. Fade is a dreamy but lush song. The bio speaks of "ethereal vocals, luminous guitars and a propulsive pulse, the track captures the bittersweet tension" and I could not have described it better, so decided to just quote here. Right in the intro the band starts rocking out, keeping the pace but dropping the noisy lead guitar, giving way to Katie Haley's voice before the noise and huge sound returns for the chorus and the repeating of the intro. Great single Fade is. Album 'Sand' was released on 4 September.

Marianne. Fontaines D.C.

With 'Romance' still fairly fresh in my ears, here's Marianne, the first single of upcoming album 'Dopamine Chamber', out on 16 October. What to expect, as Fountain D.C. is developing by the album, with 'Romance' containing quiet some musical surprises. The band moved to London in the past years and slowly but surely shook its postpunk feathers. Marianne is another step from there. Alternative pop comes close. Synth swaths can be found all through the song. The drums are still tough, the bass with a delay on the sound very driving, the overall sound is tough as well. Not the style though. Grian Chatten is Grian Chatten, so his voice is the anker but this music is not Fontaines D.C. of 2018 - 2022 for sure. Do I like it? I notice that I can get use to Marianne.

High Priestess. Brennan Wedl

Reading the name Nashville usually puts me on alert. Yes, Brennan Wedl plays like a singer-songwriter with some country elements in there on High Priestess. But nothing that puts me off. High Priestess is an alternative country song that reminds me of 1990s female singers from the U.S. like e.g. Sheryl Crow and The Walkabouts' Carla Torgerson, who were able to give the genre a new and interesting leash. Brennan Wedl does just that with High Priestess. All through the song a pedal steel guitar is doing its thing. Had it been an organ, I would probably not have thought of using the moniker country. Still, an acoustic and an electric guitar, bass and a soft drums is all that the song needs to come alive, with Wedl's voice double tracked. And then enter the pedal steel. Album 'High Priestess' was released on 19 August.

Sensational. Wishy

With Sensational, Wishy released an alternative rock song that did not take much time to catch my attention. Just listen to that percussive intro. It's not just drums you hear. Listen to how that bass guitar drops in and then the guitar playing the chords riff that returns all throughout the song. It makes melodic options small for Wishy. But then listen to how that is turned around as well. And then I have not even started about all the breaks in Sensational. In other words, more is happening than my ears can keep up with in the first spins. There will be a lot more to discover in the coming days and weeks. Sensational is a great song to end this week's singles post with. Album 'Nature's Pill' is out on 2 October and don't forget to watch the video. What a tremendous load of work making it must have been.

Wout de Natris - van der Borght 


Saturday, 5 September 2026

Tailspin. Eleni Mandell

De muziek van Eleni Mandell is helaas voor velen nog altijd een goed bewaard geheim, maar haar albums zijn stuk voor stuk serieuze aanraders en dat geldt ook weer voor het in mei verschenen album Tailspin.

De Amerikaanse muzikante Eleni Mandell heeft inmiddels een dozijn albums op haar naam staan en ze zijn allemaal goed. Met het in 2019 verschenen Wake Up Again leverde ze wat mij betreft haar meesterwerk af, maar nu keert ze na een stilte van zeven jaar gelukkig weer terug met een nieuw album. Tailspin klinkt weer anders dan de vorige albums van de Amerikaanse muzikante, maar gebleven zijn de uitstekende songs en de bijzonder mooie stem. Tailspin is een behoorlijk veelzijdig album geworden, dat makkelijk schakelt tussen genres, maar het is wat mij betreft ook een typisch Eleni Mandell album. Het is veel te lang stil geweest, maar gelukkig is ze terug met wederom een uitstekend album.

De muziek van de Amerikaanse muzikante Eleni Mandell ken ik inmiddels al meer dan 25 jaar en het is muziek die ik bijzonder hoog heb zitten. Eleni Mandell maakte in 1998 direct een verpletterende indruk met haar door Jon Brion geproduceerde debuutalbum Wishbone en sindsdien levert ze het ene na het andere prachtalbum af. De muzikante uit Los Angeles maakte tussen 2000 en 2019 maar liefst tien albums en ze zijn allemaal van torenhoge kwaliteit. 

Ik noemde de albums in mijn recensie van het in 2019 verschenen Wake Up Again een serie klassiekers en daar sta ik nog steeds achter. Als ik in het oeuvre van Eleni Mandell de onbetwiste klassieker moet kiezen kom ik zonder enige twijfel uit bij Wake Up Again uit 2019, want dat is inmiddels een van mijn favoriete albums aller tijden. Ik luisterde deze week weer eens naar het album en was direct weer in katzwijm door de geweldige songs, door de uitstekende stem van Eleni Mandell en vooral door het prachtige gitaarspel op het album van gitarist Milo Jones, die de sterren van de hemel speelt. 

Wake Up Again haalde in 2019 de top 10 van mijn jaarlijstje, maar achteraf bezien had het album mijn jaarlijstje moeten aanvoeren. Ik luisterde weer eens naar Wake Up Again vanwege het verschijnen van een nieuw album van Eleni Mandell. De Amerikaanse muzikante was in de eerste jaren van haar carrière uitermate productief, maar tussen Wake Up Again en het deze week verschenen Tailspin zit een gat van maar liefst zeven jaar. 

Iedereen die het oeuvre van Eleni Mandell kent weet dat ze op ieder album weer net wat anders klinkt, waardoor het op zich geen verrassing is dat Tailspin anders klinkt dan zijn voorganger. Dat is in dit geval wel jammer, want het geluid van Wake Up Again zal me waarschijnlijk nooit vervelen en had nog best een extra album meegekund. Heel lang hoef ik er niet over te treuren, want Wake Up Again neemt niemand me meer af en ook op Tailspin maakt Eleni Mandell weer indruk met haar songs. 

Het vorige album van Eleni Mandell werd gedomineerd door bijzonder mooi gitaarspel, maar op Tailspin kiest ze voor een voller en vooral ook gevarieerder geluid. Een aantal songs op het album is opvallend rijk georkestreerd, maar Tailspin bevat ook een aantal behoorlijk soberder ingekleurde songs. De muziek van Eleni Mandell is bijna nooit in een hokje te duwen en ook Tailspin laat zich weer beïnvloeden door uiteenlopende genres, al past het grootste deel van het album wel onder de noemer van Amerikaanse rootsmuziek. 

Ook Tailspin is weer een album dat af en toe herinnert aan muziek uit een ver verleden, maar de songs van Eleni Mandell klinken ook altijd fris. Het doet me soms denken aan de songs van Aimee Mann, maar dat kan een song later weer een totaal onzinnige vergelijking zijn. Tailspin heeft ook wat meer jazzy momenten en ook dat kan Eleni Mandell goed aan met haar stem. 

Met haar stem maakte de muzikante uit Los Angeles ruim 25 jaar geleden al heel veel indruk en haar stem is gedurende de jaren zeker niet minder geworden en maakt misschien zelfs nog wel meer indruk dan op de vroege albums van Eleni Mandell. 

Na zeven jaar stilte was de muziek van Eleni Mandell bij mij weer wat naar de achtergrond gedrongen, maar dankzij het uitstekende Tailspin staat ze weer in het middelpunt van mijn belangstelling en ga ik ook al die andere prachtalbums er weer eens bij pakken.

Erwin Zijleman

Friday, 4 September 2026

Human Assholes. Personal Trainer

Willem Smit can be found on this blog as member of Palio Superspeed Donkey, Canshaker Pi and with his latest band Personal Trainer. That band released its third album and it comes across as the album of a band/songwriter in transition. The youthful exuberance that came with the territory of being young, was left behind a little already on 'Still Willing' and is even harder to find on Human Assholes.

The guitar in some songs is left behind as a principle instrument and became more a part of the whole. Gone also are the bangers that are able to move venues from back to front and from upstairs to the floor. Enter songs to primarily listen to. That comes with a challenge in itself, as a more quiet song needs to be good, have something special, etc.

If I had to put a label to Human Assholes it would be a Belgian one. It wouldn't surprise me if bands like dEUS and Zita Swoon were an influence while writing the album. Which is just fine. Personal Trainer has enough quality to turn influences like that into its own universe. After the bit daft opening tune 'Marvin's Curtain Up', the album truly takes off with 'Scrambled Egg', the moment the album becomes interesting immediately. The post punk intro with a soft bite is left behind for a softer verse over a weird rhythm, that will probably take some concentration on the drummer's part.

The new approach is clear, as this song is not aimed at your feet but head. The guitar riffs are a bit out there as well, while the interlude, which turns out to be the end, has a Beatlesque feel despite being in a totally different musical idiom. 'Punch Drunk Love' has an identical pull and push form in it. The 1960s are extremely close, while at the same time no one would have released a song like this at the time. The start of the "Jesus" part could have been on a The Kinks song like 'Dead End Street' e.g.

Photo: Sophie Koterus Korting
What is a shame, is that the title song is really the worst song on the album. Musically it is not going anywhere and it is boring. That is compensated by a song like 'Bone'. I have the sense that this is the direction in which Willem Smit is wanting to develop himself musically. I hear the quality, but I fear an Arctic Monkeys development for future albums, where all exuberance is traded in for contemplation. What Personal Trainer does with Human Assholes is make me work a little harder to like the music. For now that is just fine.

Those remembering my review and later comments on Personal Trainer's first album, 'Big Love Blanket', might be surprised. In hindsight, that was clearly a case of having my ears screwed on wrong, as I soon after writing the review started to love the album and do so to this day. This did not happen with 'Still Willing'. Human Assholes may fare far better, as many of the songs intrigue me, with minor exceptions here and there. Just listen to a rich song like 'The Burrows' and you know this album has a chance to grow further. Time will tell. In the mean time this album will go into the cd tray for a while longer.

Wout de Natris - van der Borght

 

You can listen to and order Human Assholes here:

https://personaltrainer.bandcamp.com/album/human-assholes 

Thursday, 3 September 2026

Sanctuary Park. The Jayhawks

It must have been in 1993 that The Jayhawks entered my life with its most famous album, 'Hollywood Town Hall'. The year I started to discover new artists and bands once again. And here we are, 33 years later with the release of Sanctuary Park. I have to admit to having missed a lot of the band's output since somewhere in the 00s.

The line up hasn't even changed that much since the 90s. Founding members (1986) Gary Louris and Mark Perlman are still on board and Karen Grotberg and Tim O'Reagan since the mid-90s. Louris' voice is ageing, that much is clear from listening to Sanctuary Park. It still has that pleasant ring that made me like it from the beginning and the support from the band, especially Karen Grotberg, makes The Jayhawks sound vocally superb.

I have to say, that I like Sanctuary Park right from the get go. Somehow it has the exact same effect on me that 'Hollywood Town Hall' and later 'Smile' had. I can image you asking me what is the difference?, but I don't have a ready answer. It will be the songs, obviously. Yet, this album is an "alternative country" and country rock album just like The Jayhawks always excel in. This time around the album puts a smile on my face, where many others did not or only partly so.

The album opens with 'Keeping Our Heads Above Water'. It reminded me immediately of a typical The New Pornographers song. That "oh oh" start is a dead giveaway. My attention was gripped because of it and the song led me into Sanctuary Park only to kick me out in the end. The rest of the song is typical The Jayhawks, so the "oh oh" part works a miracle.

The next song may be a little softer, another a little more country, the next a bit harder. There's even a little slow tex-mex there. It makes Sanctuary Park nicely varied and extremely pleasant to listen to. The boat is only mildly rocked, like in 'Kingston Girl', at best, but listen to that guitar solo and the piano part but above all the harmony vocals. I'm sure you'll fall for it just like I did.

Is there no critique? Yes, there is. For a 71 year old singing "We'll steel your daddy's car ... we'll live on what we've got" is not convincing. It would be all nice in songs like "Little Man' and 'Fast Car' but not in this context. The upside is, although more country tinged, once it again has a great piano part, so no problem where the music is concerned.

All told, I'm nicely surprised by Sanctuary Park and expect to play it a lot more often.

Wout de Natris - van der Borght

 

You can listen to and order Sanctuary Park here:

https://thejayhawks.bandcamp.com/album/sanctuary-park 

Wednesday, 2 September 2026

2026, week 36. 5 singles


On a day the rain came down like pellets, I'm finishing this singles post. In the afternoon it dried up and I managed to get a fresh nose, as we call it. I enjoyed it and I hope you will enjoy this fresh bunch.

The Work. Baxter Hall

A new name on the blog opens this singles post. Baxter Hall's song The Work is of a kind that I associate with the U.S. It is a kind of folk rock that comes from there and the way it blows up in the ears of the listener towards the end is of the kind the Mr. Bigs of this world used to do when I was a lot younger. The two different approaches do work on The Work. The tough kind of folk song allows Hall to tell a personal story about estranging from a parent. The frustration and anger is vented in the music. His voice contains it. The music does not and then the song explodes in your ears. In a very impressive way, and then it's kicked back into its cage for a soft and resigned ending. There will be an EP at the end of summer.

The Ravine. Doom Scrolls

When I read punk band, I usually think of something entirely different from what I'm hearing here. Doom Scrolls is from Colorado and formed in 2020. The song starts with, if I'm hearing it correct, a banjo. It might be a mandoline. Anyway everything I'm not expecting. After a subdued intro, the band comes in and its closer to the punk side of bluegrass band The Hackensaw Boys then to Rancid. The tempo is up but with traditional instruments like a washboard. The bass sounds like an electric one though. I'm a The Hackensaw Boys fan for well over 20 years now, so I can definitely get to like Doom Scrolls. Album 'Exhausted Dialogue' is out on 6 October and will provide the chance to find out if there is more to like. And those lucky enough to live in the U.S.A., the band is on an extensive tour there at the moment.

Things Have Learnt To Walk That Ought To Crawl. The Room

Formed originally in 1979, The Room reunited after a 30 year plus hiatus and is ready to release its third album since doing so, 'Doom! Pop', on 4 September. Things Have Learnt To Walk That Ought To Crawl is the single and if I had been told that the single was released around 1980, I would have believed it immediately. And I would have liked it. Singer Dave Jackson may have that typical postpunk voice (yes, still has it in 2026) the song definitely is not about the sky falling on our heads imminently. There's even a "lalalalala" part in the song. At the time I had never heard of The Room, as far as I can recall. Today I have and my life has become just a little bit better because of it. And that title, so intriguing. Plus, is it longer the Kirsty MacCall's chip shop song? Let me know.

In Another Life. Deardarkhead

Another instrumental track from the reformed Deardarkhead. While the bass and drums provide the guitar layers with the basis to start their work from, the song develops in interesting ways. From parts that are just rhythm, the composition develops into a part where guitars hurtle over each other in a very playful way. It's hard to write on an instrumental track, I already wrote that on Deardarkhead's single 'Letting Go' before the summer break, and that hasn't changed. It is worth your while to listen to In Another Life, as it has a pleasant lead melody. A lot better than the Bill Wyman credited song with the same title on 'Their Majesty's Satanic Request'. The album 'The Pendulum Swings' is out since July.

Do What You Want. Still Insane

And here is a punkrock single as punkrock is meant to be. See Doom Scroll above to understand where this opening line is coming from. Looking at the picture that accompanies the announcement of Do What You Want and album 'When Friendship’s Not Enough', I see four veterans of punkrock. They are on a role on Do What You Want. The song is textbook Green Day, for me that band is the textbook American punkrock band. Just listen to that bass. I has Mike Dirnt spelled all over it, and the singer has that Billie Joe Armstrong sneer in his voice. All is played super, super tight. The Canadians from Québec City in Canada are on a roll towards that new album.

Wout de Natris - van der Borght