Re-Open The World. Lily Lyons

De jonge Britse singer-songwriter Lily Lyons schoot in 2024 als een komeet omhoog en dat dit terecht was hoor je op haar wonderschone en met name in vocaal opzicht opzienbarende debuutalbum Re-Open The World.

Aan jonge Britse folkies hebben we momenteel geen gebrek, wat het voor starters niet meevalt om op te vallen. Dat de jonge Britse muzikante Lily Lyons op moet gaan vallen is voor mij zeker, want met Re-Open The World heeft ze een zeer fraai debuutalbum afgeleverd. Het is een album met aansprekende songs en persoonlijke teksten. Het is bovendien een album dat subtiel, maar bijzonder mooi is ingekleurd. De meeste betovering komt echter van de stem van Lily Lyons, die echt prachtig zingt, zeker als je je bedenkt hoe jong ze nog is. De Britse muziekmedia riepen haar in 2024 al uit tot grote belofte voor de toekomst en na beluistering van Re-Open The World kan ik ze alleen maar gelijk geven.

Lily Lyons is een jonge Britse singer-songwriter, die een paar jaar geleden Londen verruilde voor het zuidelijkste puntje van Engeland, om een studie popmuziek te gaan doen aan de Falmouth University. Na het afronden van haar opleiding ging het snel voor de jonge Britse muzikante. 

Een eerste EP werd goed ontvangen, waarna de Britse muziekmedia haar onmiddellijk schaarden onder de grote talenten binnen de Britse popmuziek. Het is me eerlijk gezegd helemaal ontgaan, want de naam Lily Lyons zei me echt niets toen ik begin november door het lijstje met de nieuwe album liep. Na snelle beluistering vond ik haar album echter interessant, al vond ik het niet direct verplichte kost. Dat werd het wel toen ik het album wat beter beluisterde en het door de Britse media beschreven talent van Lily Lyons alleen maar kon bevestigen. 

Lily Lyons maakt op haar debuutalbum Re-Open The World vooral ingetogen folky songs, waarmee ze de aansluiting vindt bij een flinke groep jonge Britse muzikanten. In de openingstrack van Re-Open The World hoor je vooral de akoestische gitaar en de stem van Lily Lyons met af en toe wat bijdragen van de viool. Het klinkt direct bekend in de oren, want er zijn zoals gezegd heel wat jonge Britse muzikanten die dit soort muziek maken, maar de muziek van Lily Lyons heeft iets bijzonders. 

De relatief sobere klanken vullen op bijzondere wijze de ruimte en de stem van Lily Lyons is niet alleen hele mooi, met heeft ook iets aparts. Ik kan er niet direct de vinger op leggen, maar de openingstrack van Re-Open The World doet iets met me want lang niet alle songs in dit genre doen. Het kon een toevalstreffer zijn, maar de tweede track op het debuutalbum van Lily Lyons had eigenlijk hetzelfde effect op me en ook de rest van het album deed iets met me. 

De jonge Britse muzikante laat zich beïnvloeden door Britse folk van vele decennia geleden, maar de songs van Lily Lyons klinken zeker niet traditioneel of oubollig. Ze noemt zelf Nick Drake als vergelijkingsmateriaal, maar voegt er ook Frank Sinatra aan toe en zo circuleren er meer lijstjes waarmee Lily Lyons duidelijk dat ze haar klassiekers binnen de muziek, maar ook in de film en de literatuur kent. 

De Britse muzikante had nog geen song geschreven toen ze Londen verruilde voor het zuiden van Engeland, maar ze heeft veel geleerd en is met veel bagage begonnen aan haar debuutalbum. Die bagage slaat neer in haar songs, die stuk voor stuk eenvoudig maar ook razendknap zijn, en in de persoonlijke teksten, waarin Lily Lyons zichzelf niet ontziet. 

Als ik luister naar Re-Open The World hoor ik eerder een gelouterde muzikante dan een debuterende muzikante en dat is knap. Wat bij eerste beluistering nog vooral aardig klonk, is inmiddels een hoogstaand album, waarop echt van alles te ontdekken valt en waarop alles alleen maar mooier wordt. In de muziek op het album zijn iedere keer net weer andere versiersels aangebracht, waardoor de sobere instrumentatie geen moment saai is, en de stem van Lily Lyons wordt alleen maar mooier wanneer je het album vaker hoort. Het is een stem die me inmiddels zeer dierbaar is. 

Dat Lily Lyons in 2024 omhoog werd gestuwd door de Britse muziekmedia begrijp ik inmiddels volledig, maar rond Re-Open The World is het helaas nog veel te stil. Ik zou dit prachtalbum echter zeker gaan ontdekken, want de muziek van Lily Lyons wil je echt niet missen.

Erwin Zijleman

.NoWordsNeedeD, 5 March 2026

 https://youtu.be/j_rjZoEu-S0

.No

Highway To Heavenly. Heavenly

In 2029 it will be 40 years since Heavenly first formed. The band released four albums before disbanding in 1996, after losing their drummer. In 2023 the band decided to re-release its records, played a few shows and from one came the other. Single 'Portland Town' was released in the summer of last year. Now there is an album called Highway To Heavenly followed by an extensive tour taking the band through the world for old fans and new fans, like myself.

What amazes me since running this blog, how many bands out there that are still active or are active again, that I never even heard of at the time and today I'm instantly attracted to. Heavenly is one of these bands. The (bitter)sweet music on the band's fifth album is simply a joy to listen to. Original members Amelia Fletcher, Peter Momtchiloff, Rob Pursey, who were later joined by Cathy Rodgers and new drummer Ian Button who has taken the place of Matthew Fletcher joined forces once again. Together they seem an unbeatable team.

Above all Highway To Heavenly is a pop album, that taps in to everything U.K. pop is. Or, better, was in the first half of the 1980s. The album is an extremely nice trip down memory lane, where everything you remember comes forward shiny and new. The voices of Fletcher and Rodgers cannot hide their age in 2026, but still create that vibe that once was and is today. Heavenly managed to tap into what they once were and aligns itself to bands that today come from New Zealand, like The Beths and Voom.

Photo: Alison Wonderland

The music is both upbeat and bittersweet. Nearly all the songs have that combination, that make songs like this so good to listen to. That organ that cuts through the pop and poprock songs. A delicious up tempo song like 'Excuse Me' really rolls itself into my ears, not holding back, conquering my brain to settle there for the times to come. By then you are halfway into Highway To Heavenly. 

The album has already pleased you for five songs. The pop feel is all over the album, presented in a lush production. Opening song 'Scene Stealing' is the right example to explain the album by. Heavenly shows different sides to its musicianship within a few minutes. From a rich arrangement, to empty and return to the full pop vibe of the song. Dynamics are in full use, but so are all the little extra's. One more guitar, the Farfisa sound besides the regular organ, it is all there to discover.

Heavenly does it all for one whole album long. Okay, the band had decades to prepare for the album, but supposing that it used the past three decades building this album, as Voom allegedly almost did, the time was extremely well spent. Comeback album Highway To Heavenly is a superb album and, well, heavenly.

Wout de Natris - van der Borght

 

You can listen to and order Highway To Heavenly here:

https://heavenly.bandcamp.com/album/highway-to-heavenly 

The Bootleg Beatles live. Phil, Haarlem Saturday 28 February 2026

Photo: WdN-vdB

The previous time I was ill and had to give my ticket to a friend. This time I was there and listened to a selection the four imitation Beatles made from the five best selling albums of The Beatles. 'Rubber Soul', Revolver', 'Sgt. Pepper's', The Beatles' and 'Abbey Road'. The five albums that can be called the big bang in pop music. The albums where the band threw away most of the existing conventions and started to blend all influences from modern pop and beyond, to create something completely new that still inspires younger generations today, to make music based on this short period of five years from 1965 to 1969. And the period in which George Harrison played an ever bigger part with fabulous songs of his own.

The Bootleg Beatles are, despite being great musicians and singers, imitators. From a distance three of the four could easily be mistaken for Ringo, George and John. Paul has the least likeness. He is also the one who changes the less of the three. The wig is just a little longer and a glued on moustache in Sgt. Pepper is all. The other three change far more radically.

Photo: WdN-vdB

What The Bootleg Beatles do very well, is play a hommage to all the other things going on in these five selected years. Hitsingles come by, mostly little clips of the artists from each individual year, politics, fashion and such. It sets the stage for the next album and gives the four Bootleg Beatles the opportunity to change clothes and hair. They speak with the accents and tone of each Beatle and joke like they used to do. It gives the impression to be looking at the real thing, even though The Beatles did not perform behind three of the five albums. What we are presented, is what it could have been like had The Beatles kept playing live.

Behind the foursome were three brass players, two strings and one person who plays it all and even sings in big choir settings. That allowed for intimate songs like 'Eleanor Rigby' and 'She's Leaving Home' to be played, but also big songs like 'A Day In The Life' or 'Good Morning' in a very convincing way. Of all possible songs, 'Yellow Submarine' was the one that got the hall going, 'Revolution' was the song where people could not remain seated.

Photo "Mr. Kite": WdN-vdB

My personal highlight? "While My Guitar Gently Weeps'. I got to know the song through 'the blue one" after my birthday in 1974. I knew immediately it was special, but my appreciation of the song still grow. Of course there was much more. 'And Your Bird Can Sing', 'Come 'Together', the 'Abbey Road' finally, with pictures of all important people associated with The Beatles, that are no longer with us today, ending with George and John. This includes some contenders for the "fifth Beatle" title. In my view? Stuart Sutcliffe was physically the fifth Beatle, at the time when Pete Best played drums. But the only one really deserving it, is of course George Martin. Without his musical training and willingness to create something special for the whole of the time, Beatles records would not have been the same.

Did I personally miss anything? Yes, that song that since 24 February 2022 can not be sung any more, 'Back In The U.S.S.R.' My band decided to steal it back from Mr. Putin. F*ck him.

Photo "Prudence": WdN-vdB

Although The Bootleg Beatles dress up and pretend, do not let this distract you. The quality offered is extremely high. This is not a clown show, but one that brings The Beatles as close as one can come today. This show is not at the same level as The Analogues, that can be found multiple times on this blog. They had a near academic approach to recreating the music of The Beatles and did so at an awestruck level. The Bootleg Beatles allow some fun to exist as well, just like The Beatles presented themselves in the first half of their career. When the quality does not suffer in any way from the dressing up, etc., both bands deliver, delivered for The Analogues, as the band broke up late 2024. "A splendid time is guaranteed for all", in 2026 as it was on that poster from 1843.

Wout de Natris - van der Borght 

The Devil's Door. And Also The Trees

Search and you will find two albums by And Also The Trees on this blog, 'Untangled (An Introduction To)' and 'The Bone Carver'. With The Devil's Door a third is added. Put it on and you are pulled into a listening session that is somewhere between 'The Dream Of The Blue Turtles' and late night jazz in a smoky club from decades ago.

And Also The Trees started out as a post punk band in the U.K. in 1984. As I wrote before, I've missed it all at the time. Early in its career the band supported The Cure. In 2026 it will once again for three shows in June in Nîmes, so I suppose in the famous Roman theatre there. Full circle, but with a beautiful album on its hands. If post punk is hiding somewhere in The Devil's Door, it is in how the lead guitar plays here and there, but certainly not in the music as a whole.

The Devil's Door is a moody affair, a serious album of epic proportions. The band has not held back to make its latest album sound huge and impressive. Not by hiring a symphony orchestra, no, by putting a lot of attention into detail and atmospherics. Full use was made of synths and (weird) sounds to support the songs. Just listen to how the instrumental song 'Rooftops' plays out. So deceptively relaxed, yet so full of tension.

Singer Simon Huw Jones croons with his darkish voice. Moving through the songs like a snake, slow yet very deliberate. Not unlike Nick Cave I realise. Jones' voice has a lighter though. Together with Justin Jones, guitar, Paul Hill, drums, Grant Gordon, bass and Colin Ozanne, clarinet and various, Jones has created a jazzy environment in which it is good to dwell.

If I had to compare this music further, I can only come up with Tindersticks. Now I have never liked this band, so I could be wrong. Where Tindersticks fails my ears, And Also The Trees pulls me into its new album by the song until it takes over all else in my mind. Simon Huw Jones sings slow. He takes his time to share his lyrics with us. You can see him in that late night jazz club, crooning into the microphone, cigarette between his fingers, smoke curling up in the spotlight aimed at him. Totally having become one with the music, oblivious of all else, in the club and elsewhere.

The Devil's Door manages to create this illusion for the whole of the album. The band plays so subtle, supporting the singer, place an accurate accent here and there and taking short spots in the limelight in the moments without lyrics. Song by song the album delivers.

The rolling drums, the eastern European feel in the way strings and notes played in 'Shared Fate' closes the album in a great way. The song takes me far away from home. And when the album automatically starts playing again, I realise that opening song 'The Silver Key' has that same feel. It makes The Devil's Door a European album and far from British. An album of mesmerising beauty to cherish.

Wout de Natris - van der Borght

 

You can listen to and order The  Devil's Door here:

https://andalsothetrees.bandcamp.com/album/the-devils-door