Action Replay. The Fratellis
The Fratellis will forever
be the band of just one song, 'Chelsea Dagger'. A one-hit wonder. I liked the
second album so much more as a whole than the first though. After that the band
broke up to come back together somewhere in the 10s, without even
coming close to coming to the success of that one single. Come the 2020.
We are all three decades older. Action Replay is a sensitive ballad and
as such not even a bad one. It's just not what I want to hear from The
Fratellis, is what my preconceptions are telling me. At the same time a lot of thought and work went into the
song. Action Replay is far from a one dimensional ballad. In fact
there's more than enough to enjoy in the song. Listening more often to
the song I even get the impression that the music underscores the title
in a formidable way. The Fratellis in action replay. Add a truckload of
Beatlesque elements in the singing and I'm about to conclude that I will
give Action Replay the benefit of the doubt.
Kleine Lettertjes. De Breek
Amsterdam-Noord
trio De Breek is langzamerhand geen gelegenheidstrio meer te noemen.
Met zekere regelmaat komen er nieuwe nummers uit, die stuk voor stuk de
moeite van het luisteren waard zijn. Kleine Lettertjes is een ingetogen
nummer, waarin de zang als het ware een gevecht aangaat met de
achtergrond vokalen. Naar het einde toe wordt steeds minder duidelijk
welke lijn de hoofdlijn is. Alleen de stemkleur verraadt het nog.
Daarnaast eist de muzikale begeleiding een steeds grotere rol op. De
interactie zorgt voor een zeer interessante ontwikkeling. Het liedje
begint als een soort Spinvis nummer om langzaam maar zeker iets volkomen
eigens te krijgen. Allerlei breaks zetten de luisteraar op een verkeerd been
om telkens sterker terug te komen. Met Kleine Lettertjes voegt De Breek
een echt prachtig nummer toe aan het al niet misselijke oeuvre. Het
wachten is op de eerste volledige plaat.
What
a powerful single this is! I Who Have Nothing is of course a famous
song in itself. Type in the song and you will find versions from Shirley
Bassey to Tom Jones and Ben E. King. It is nearly impossible to imagine
that this is the same song as the mellow 60s classic. The rough and
well-worn voice of Genya Ravan tears the lyrics in two and stomps on the
halves for a while coming up with a deep groove. Nile Rodgers is so
impressed that he left his trademark funky disco style guitarplaying
style at home and plays in the full service of this groove. The result
is one of the most swinging songs that I've heard for years. Whatever
you may think of the remnants of Ms. Ravan's voice, there's no denying
that she masters this song in a superb way. Let me say this once more?
What a powerful single this is! A cover that outshines the original in a million ways. Oh, do I love rock and roll (to mention another cover outshining the original.)
Deathwatch Beetle Party. Storm Seeker
Now
answer yourself honestly. What do you expect to hear with a song title
like Deathwatch Beetle Party? I simply was not certain. Metal?
Thrashrock?, but that's only the case because of the band name. I had braced myself for many things but not a mix of metal
and Irish folk. Nor German lyrics and a System of a Down delivery. Fact
is, this single is all over the place and shows several sides of the
band within three minutes. Not as extreme as 'Chop Suey' did, but
certainly in this vein. Of course, Dropkick Murphies come to mind, were
it not that the guitars are far more prominent and metal sounding. Storm
Seeker is a band from Düsseldorf in Germany, explaining the German
language a little more. Singer Marius 'Olaf' Bornfleth certainly
listened to Dropkick Murphies' singer Al Barr. Hopefully his vocal
chords will serve him a bit better. In short, hearing is believing with
Deathwatch Beetle Party, but fun it is.
Aren't You Glad. Found Instruments
In
2021 it is still possible to make a synthpop song like it is 1984. As
if Nik Kershaw never went out of fashion within a few years. Found
Instruments is a musical project of Jack Joseph. Aren't You Glad is the
third single released. What appeals to me is the soft way the song
meanders in combination with the dreamy single and synths creating the
backbone and lead melody. Joseph's voice is soft tinged and warm. I can
become totally melancholy with this music. It brings me down without
becoming sad, as the music caresses me as well. As it were I can feel it
around me. Anyone who likes this music should check out Antwerp artist
Low Hill as well. You'll find something of your liking with him as well.
Just like Kershaw's 'Wouldn't It Be Good', Aren't You Glad' agrees with
me. If no 'The Riddle' follows we may even get on a permanent footing,
who knows? Commercially, a 'The Riddle' may be a wiser decision though.
Déjà Vu. Austin Meade
In
November 'Happier Alone' made it to a single roundup, in January Déjà Vu
does. Meade plays a U.S. form of rock again. Not my first rock of
choice, still I'm writing. Austin Meade manages to stretch a well-worn
style of rock a little and makes it more interesting. The verses are
very traditional and nice but not interesting enough to return to. In
the chorus the tempo is changed, while in the solo all traditions are
left behind. The result is a hybrid that goes well beyond the Bryan
Adams and other 80s rockers from North-America. Next to that the guitar
work on Déjà Vu is clear and interesting, making the songs have many
layers to follow. The mix of tradition and more modern sounds make the
single interesting enough to play several times in a row, like a decent
single has to. It seems Austin Meade has fully succeeded here.
Song Of Co-Aklan. Cathal Coughlan
Song
Of Co-Aklan is a strong single. It has a fiery rhythm and aims to
ignite venues. There's a bit traditional David Bowie in the song, hidden
in more modern sound than Bowie produced around 1980 in a song like 'Scary
Monsters'. Cathal Coughlan who until recently was unknown to me, has had a whole career in the 80s
and 90s in bands like Microdisney and The Fatima Mansions. He skipped
the whole 10s and returns with this fantastic, powerful single, recorded
with Luke Haines and members from his past bands. Listening more
closely the song gives away a little more of its secrets. The tight
rhythm is only half of the story. In the keyboard sounds hides a little
mystery that is added, while the lead guitar adds playfulness. It
results in a multi-layered song by the Cork based artist, who returns
to pop with a very successful song that in a different time and age might have
been a hitsingle. Song Of Co-Aklan is a successful return to music
alright.
Mechthild. Nero Kane
In October Nero
Kane released his second album, 'Tales Of Faith And Lunacy'. It did not
come to a review, on this blog I should add. It all was far too dark and gloomy for me to listen to
for a long time. Is it so different with the new single of the album,
Mechthild? No, it is exactly the same actually. Nero Kane or Marco
Mezzadri as his parents know him, together with singer and filmmaker
Samantha Stella creates a song so dark that German songstress Nico might
have turned away in fright. Yes, you can hear Nick Cave in this song as
well. The dark, brooding song is like the cauldron of a witch boiling
over. Not knowing what the fumes and liquid can do is too scary to
behold. The kind to steer away from, at least the more fainthearted listener. Mechthild is the 13th century mystic Mechtild von Magdeburg,
whose writings can be heard on the album. This song is an experience and
not a song in the traditional way. More impressive than good, but
memorable none the same.
Francine. People Club
The
difference can't be larger when the first sounds of Francine enter my
ears. Think a Fleetwood Mac kind of song from the 'Tango In The Night'
era. With a singer whose voice is younger that Stevie Nicks' at the
time, so doesn't have that edge (yet?). Francine has more than enough of
its own. The sounds is more poppy and slightly more electronic. The
song is a mix of electronic keyboards and traditional band instruments.
People Club is a band from Germany and is praised for its Detroit 70s
style. For the life of me, I can't hear anything resembling Marvin Gaye
in the song. I'll admit to some faint traces of U.S. soul of the 70s,
like Philly Soul or Barry White, but like I said before, this is more
'Little Lies' and 'Everywhere' than anything else. The song is not as
light as I thought in the first seconds. Only in comparison with
'Mechthild'. In fact, Francine is rather dark for a pop song. In short ,
interesting and the kind of invitation a single ought to present towards
an upcoming album. So far on Spotify you can find a string of singles,
since 2019. So who knows what 2021 has in store for the world.
A Million Miles Away. Arrows To Fire
Is there a more unlikely story than two bio-medical persons who meet at a conference on biomedical equipment and discover a shared fashion for playing and making rock music? Still, this is the story that Arrows To Fire tells the world. The two, John Joyo and Chris Lavigne, started to create music together and released their first album in 2016. With A Million Miles Away the duo makes a statement straight away. The drums kicks the song alive in no subtle way. All the band has to do is kick the ball in the net. There's little problem in doing so. The result is a fine melodic rocksong that will get people listening, dancing and singing. In between all the deft rocking out there's room for more subtle sounds of keyboards and some atmospheric sounds and even little bells if I'm hearing correctly. The easy to sing along to melody makes it clear that Arrows To Fire has released a nice, melodic rocker that is quite memorable.
Wo.
Listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
We received a reaction from @foundinstband on Twitter: "Thank you @WoNoMagazine I’m fine with the Nik Kershaw reference - right, best get back to working on my ‘The Riddle’."
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