A force can enter the music like it does in 'Clocks', one of Coldplay's early big hits (when I still liked the band). Coldplay is only one name that enters my mind, but mostly I am of the impression that Meadowlake has its own mind. The Groningen based band is not afraid to put a stamp on its music. In fact I notice that I like the album a lot better when I play it a bit louder. Oddly enough because of the dreamy way of singing by Jarno Olijve, my first inclination is to put the album on at a low level. It is only when played louder that the details come forward. That is the moment that it becomes clear how wild some of the playing and sounds are.
Once again, because of the way of singing, I am reminded of Marcel Hulst, the singer of Maggie Brown. Musically the two bands are not even that far apart. Meadowlake on average is louder, erupts more. There's a volcano hidden underneath that lake alright, and it's active.
Promo photo |
What tracks like 'Blood Crawls' and 'Dirty Habit' do, is effortlessly show the two sides of Meadowlake. This band is not afraid of injecting an extra bite into its dreamy music. Dream too hard as listener and a slap on the eardrums is your reward. As already mentioned, it's also the rhythm that keeps you awake as well. What is it exactly what the drummer does in 'Lights Out'? I am 100% certain that I can't reproduce it.
Yes, I can imagine there being people who will complain about Jarno Olijve's veiled way of singing. All who can stand it, let alone those who are totally with it, will enjoy a record that does not go for the obvious in pop and rock. Meadowlake explores the options a song offers until it can present an outcome that is most to its liking; and most likely mine as well.
Wo.
You can listen to and buy Wait For Me here:
https://meadowlake.bandcamp.com/
or listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
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