Wednesday, 14 March 2018

Current. Madensuyu

Madensuyu is a duo from Ghent in Belgium. Stijn De Gezelle and Pieterjan Vervondel. Friends since their teen years and making music together for about as long. Both equipped with the family name of a famous poet or close to it. With Current the duo released its fifth album since 2005.

From what I understand the sound has made a switch towards a piano. The concert piano is everywhere on this album. Creating a grandly staged sound, not so much unique, certainly haunting and haunted. De Gezelle must have lame arms and fingers after playing this album. There's so much power and speed involved, in the permanent sort of way. Like the proverbial devil is on his tail.

There is simply not a lot I can write about the album, except to point to the enormous energy flowing from my audio set to my brain. Igniting it. Enveloping it. Not leaving any room for much thought. Current holds the kind of music that is all consuming. At times a passage triggers a memory of something I have heard before, to be squashed within seconds. The vocals remembers me of other singer, to be obliterated by what follows. And except that the music is somehow what happens when classical music and punk have baby. They called it Madensuyu. And finally, it also seems to be a Turkish soda.

Is Current a good album? It somehow doesn't seem to be important, as if the question is completely and utterly redundant. Current propels forward, Current forever goes on, pounded forward by the fingers hitting on the white and black keys of the grand piano. Not to forget the ever forward driving rhythms of the drums. Yes, there are moments of relaxation on Current. Also they are instantly forgotten when Vervondel's drums kick in fully once again. The two players seem totally oblivious of each other and blending totally as well.

It seems that hearing Current is believing. It is time for you to start doing so.

Wo.

Here's the link to our Spotify Playlist to find out what we are writing about:

https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g


Tuesday, 13 March 2018

Lenco LS-50


‘Mijn zoon was gister jarig. Hij werd zeventien jaar, die schat, hij vroeg aan mij een Elpee en die heeft ‘ie ook gehad’. Niet van Hazes maar van Nirvana, de klassieker Nevermind, in een mooie 180 grams persing nogal liefs. Op zijn lijstje stonden ook nog De Beatles (Blue album 67-70) en de Sex Pistols (Never mind the bullocks). Ik gloei van trots.

Omdat de enige platenspeler hier in de woonkamer staat heb ik ook nog een platenspeler voor ‘m gekocht. Een ding dat min of meer op zichzelf werkt, niks audiofiels – audiofilie is een hobby waar hij zelf voor mag gaan sparen – maar gewoon een spelertje waar hij op zijn kamer op zijn gemak plaatjes kan draaien. Noem het nostalgie.

Het werd de Lenco LS-50, goeie retro look, en een ingebouwde 1W speakers. De Lenco LS-50 komt met een gebruiksaanwijzing. [link dit even naar naar https://www.lenco.com/wp-content/uploads/2017/11/UM_LS-50_ALL_Web.pdf ]

Leest u even mee. 

              VOORZORGSMAATREGELEN VOOR GEBRUIK
ONTHOUD DE VOLGENDE INSTRUCTIES:

U dient dus voor gebruik de instructies, zegge 53, schrijve drieënvijftig, allemaal te hebben onthouden. Het is een stapel instructies die weinig met een platenspeler van doen hebben, maar wel worden ingeleid met de volgende waarschuwing.

LET OP:
Gebruik van bediening, aanpassingen of het uitvoeren van procedures anders dan gespecificeerd in  deze documentatie kan leiden tot blootstelling aan schadelijke straling.

Schadelijke straling!? Google even op Schadelijke Straling. Onze ouders hadden gelijk: van het langdurig luisteren naar zedenloze muziek kun je inderdaad bulten krijgen. We weten nu dat dat door de platenspeler komt.

Van de 53 instructies hebben er veel van doen met het verstandig omgaan van elektrische apparaten, met nogal wat duplicatie. Instructie 15 en 49 luiden:

Dit apparaat moet op een voedingsbron werken zoals gespecificeerd op het specificatieplaatje. Als u twijfelt over het type spanning in uw huis, raadpleeg dan uw dealer of plaatselijke energiebedrijf.

en

Controleer of de spanning op het specificatieplaatje van uw apparaat overeenkomt met het lichtnet in uw huis (specificatieplaatje is te vinden op de achterzijde van het apparaat).

U begrijpt, er werkt bij de firma Lenco een manager specificitieplaatjes voor wie er dit jaar een flinke bonus in het verschiet ligt.

Soms hebben de instructies schattige specificiteit. Zo is daar instructie 20:

Houd deze uit de buurt van knaagdieren. Knaagdieren knauwen graag aan voedingskabels

En instructie 29:

Het apparaat mag niet worden blootgesteld aan druppels of spatten en zorg ervoor dat er geen met vloeistof gevulde voorwerpen, zoals vazen, op of nabij het apparaat zijn geplaatst.

Een hamster op sterk water moet u dus maar helemaal uit uw hoofd halen.

Wat minder schattig is instructie 39:

Dit apparaat is niet bestemd voor gebruik door mensen (inclusief kinderen) met fysieke, zintuiglijke of geestelijke gebreken of gebrek aan kennis en ervaring, tenzij zij onder toezicht staan of instructies hebben over het juiste gebruik van het apparaat hebben gekregen van de persoon die verantwoordelijk is voor hun veiligheid.

Je moet je niet over alles druk maken. Maar, je zal maar een geamputeerde kleine teen hebben en aan je vrouw moeten vragen of zij de verantwoordelijkheid over jouw veiligheid zou willen dragen om daarna uitleg te krijgen over hoe je in godesnaam een plaatje draait.

Drieënvijftig instructies, allemaal loze woorden geschreven om aansprakelijkheid te omzeilen en die niks met het normaal gebruik van een platenspeler van doen hebben. De letterlijke en figuurlijke uitsmijter:

Waarschuwing: Langdurige blootstelling aan luid geluid van persoonlijke muziekspelers kan leiden tot tijdelijke of permanente gehoorbeschadiging.

Eikels, Nevermind moet leiden tot gehoorbeschadiging, en met een 1W speaker gaat dat niet lukken.

OMK

Here's the link to our Spotify Playlist: https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g


Monday, 12 March 2018

Hans Cleuver, Focus' first drummer, passed away. A conversation

In 2017 Gary, Mark and Wo. embarked on what turns out to be a series of conversation on music. Always jumping from topic to topic. One started on Focus (read on here: http://wonomagazine.blogspot.nl/2017/03/lets-focus-thoughts-on-band-focus.html). Yesterday (6-3) news came that Focus' first drummer passed away. You will find that this sad fact led to many other bands and occasions.


Gary, 7-3-2018
I was sent this by Focus:

"Hans Cleuver , the first drummer of Focus, passed away. We owe him a lot, concerning his inspiring work for the group, both musically and in organising the very first gigs in Amsterdam! Our thoughts are with his wife and children."

Thijs van Leer, on behalf of all members of Focus

Mark, 8-3-2018:
Thanks. He's not the drummer on Moving Waves so I looked up the Wikipedia history of the band. Hans Cleuver was a life-long close friend of Thijs but after the first album "In and Out of Focus" as we know it (have you got that, Wout?), Jan Akkerman wanted him out and his mate Peter Van Der Linden in on the skins. So a mighty prolonged rift in the band ensued with Jan's man winning out in the end - and hit the big time when Moving Waves took the world by storm (after Focus appeared on The Old Grey Whistle Test music programme on British TV - the only one that took popular music seriously - all of Polydor's record plants had to switch their entire production to churning out round the clock enough Moving Waves to meet the demand).

So it seems Hans's life story is similar to that of the hapless Pete Best though cruelly no-one wanted to take Pete's side in the Beatles case, only his female fans at The Cavern one of whom legend has it gave George a black eye for sacking their handsome first drummer with the un-fab quiff (after his own band fizzled out in the mid-sixties Pete ended up being a civil servant for a Liverpool office of the Dept of Employment, Gary!). Only when the first Anthology album came out in 1995 with Pete on drums on the pre-EMI recordings did he make any significant money out of his association with the Fab Three. Hans, however, seems to have kept his hand more securely in the music business and later teamed up with Thijs again so I guess he never felt he was as big a loser as Pete.

I met up with Pete Best's brother in Liverpool a few years ago. He was doing tours of the Casbah Club (by appointment) which was run by their mother Mona Best and is where the Silver Beatles as they were then called first played regularly. John and Paul helped out with decorating some of the walls and miraculously their arty handiwork with paint brushes has survived after all these years. You could say the remarkable Beatles story started in that cramped suburban club rather than at the legendary Cavern and like Hans in the history of Focus, Pete was a key player in The Beatles' formative years. However, his fussy and noisy drumming on the earliest recording of Love Me Do is horrendous compared to Ringo's simpler style (even if George Martin didn't like the latter and got a session musician called Andy White to replace Ringo for the original Parlophone single version. White passed  away in 2015 by the way, aged 85).

(I know: hou je mond, shut up Mark, you're rambling on about the Fab Four again). Unlike last year's Strawberry Fields remaster, there are no Beatles records on this year's Record Store Day list just out: see http://www.nme.com/news/music/record-store-day-2018-releases-2255889  Nor any Focus - but hey guess what! There is a double album of Shocking Blue's singles! How about that for premonition on our part?! I think I might be tempted by the Curved Air pioneering picture disc re-issue of Air Conditioning. - and the 12" demo of Bowie's Let's Dance...and the "early mix" of Lazy Sunday Afternoon.  I see there is also a picture disc version of Tormato, Gary. 

I thought Led Zep didn't release singles! RSD is on 21 April so start saving the pennies.....and cents!
Close your eyes and drift away....... 

Gary: 8-3-2018
Fascinating story about Pete Best, most of which I did not know about…. I know only to well that feeling of leaving the music scene to get a job in a Dole Office, Pete has my deepest sympathies! In the drumming world you either like Ringo or (like George Martin) not… similar to whether you like Charlie Watts or not…. I was neither a fan of Ringo or Charlie’s style of drumming.

Yes, the personal dynamics within Focus were pretty volatile, especially between van Lear and Ackerman although the decision to replace Hans Cleuver with Pierre van der Linden (Peter Van Der Linden is I think the Dutch Technologist who I once saw at a conference in London some years ago?) was the right one as he is a truly amazing drummer! He, like Carl Palmer, was heavily influenced by Buddy Rich and so technique is of the highest importance….  Although van der Linden was Ackermans friend he still plays (as you say) for Thijs van Lear’s version of Focus to this day!

I saw Curved Air at the Mick Jagger Centre last year, Sonja Kristina looks and sounds absolutely amazing for her age (68)…. There seems to be something of a youthfulness for our generation that wasn’t there for our father's time at our age… not sure what it is? Most of the 70s bands are producing reissues (especially on vinyl) and seem to be making a good income from it to supplement the pension! I get e-mails from Yes advising me of reissues and remasters 6 months in advance although the price they ask is somewhat daunting at times. Prog magazine is also a good source of upcoming new and reissues: http://teamrock.com/prog.

Led Zeppelin on yellow vinyl!!!! Also maybe worth considering saving pennies for Led Zeppelin by Led Zeppelin which is the first and only official illustrated book to be produced in collaboration with the members of the band. Celebrating 50 years since their formation. Published by @ReelArtPress due October this year? And if you can afford it Zeppelin is releasing a 'Deluxe Box’ in March of the live ‘How The West Was Won’ which was recorded at the Forum in Los Angeles…. Not enough money to buy everything though on a Civil Service pension!!!! 

Wo., 8-3-2018
Good morning, gentlemen.

The news about Focus' first drummer has passed the Netherlands by it seems. To be honest I had never heard of the man. To me it seems like Pierre van der Linden was Focus' only drummer that mattered. He played with Akkerman before in Brainbox (and in the very early 60s in Johnny and his Cellar Rockers). You should listen to the band's first single 'Down Man' (listen here: https://www.youtube.com/watch?v=dJWLVYK9zk4). Kaz Lux is the singer. He worked with Akkerman again in the mid-70s for a few duo albums. 'Down Man's lyrics may not be the best English, the song is fabulous. It even made the U.S. charts at the time.

BTW, I have got the two Focus albums second hand in the spring of last year. The second one an issue from before it got to be called 'Moving Waves', just 'Focus II'. Great records that I truly enjoy. I also got the greatest hits of Kayak (mach I), another sympho rock band from NL. The first band I got to see live at high school. Several of its singles still stand out. And, Shocking Blue? What can I say? At least Sweetwood is finally close to nailing 'Send Me A Postcard'. The drummer has got the break. The bass player may still be grumbling about the complexity of the verses but is getting there.

What our conversation on Focus has done for me, is that I have started to listen to several bands (again) and found that the quality of music coming from this country in the late 60s and early to mid 70s was extremely good.

After Focus Van der Linden played drums in a trio with Rick van der Linden, a second cousin, then ex-Ekseption and Jaap van Eik called Trace, a mix of jazz rock and classical. I haven't played that album for ages. So am about to do so soon.

Led Zeppelin released several singles here in NL. I think they charted four times. 'Good Times Bad Times', 'Whole Lotta Love', 'Immigrant Song' and 'Black Dog'. The second one was their biggest hit over here. One day in early 1970 I went out with my hard saved up nickels and dimes to buy 'Whole Lotta Love' in the little village we had recently moved to. They had never heard of the song, so I came home with 'Marie Jolie' by Aphrodite's Child instead. Talking about missing a piece of history. Although I really liked that band's singles at the time.

Personally I pass the RSD by most of the years. The prices are near horrendous and usually for something I already own in some form. So I decided to save up for something I do not have. I can't tell about the international origins of RSD, but I have read that the daughter of a local retailer, who since starting in Leiden in the 90s branched out over the country, yes, against all odds, started the initiative as a school assignment that got a bit out of hand. His shop in Leiden has only grown bigger through the years. No longer living there I noticed recently that both remaining record shops have had an overhaul making them look a lot better. So they must be making money.

On Ringo Starr. I know he is not rated highly as a drummer and wasn't even when he was at his Beatles heights. Yet, listening to the songs, many of his contributions stand out as something special. Nothing flashy, just setting a totally different sound than many other drummers would have come up with, I think. That is a very special place to be in. And Charlie? I think he's totally unimaginative and has no ego to speak of. So he plays just what needs to played without a single extra anything. Creating the tight sound the Stones usually have. All that it needs probably. I was at the Django Django show yesterday and Franz Ferdinand on Sunday. Here the drummers are fabulous, playing all these strange rhythms, keeping me wondering: how do you do that?

So here's a link to the present, gentlemen, where some fantastic music is being made by bands like this. Both bands' latest 2018 efforts, 'Marble Skies' and 'Always Ascending' are stellar records.

Wo., 8-3-2018
I checked up on Hans Cleuver on Wikipedia. He remained manager of Focus until 1980, and started a drum academy in Utrecht. His daughter Emilie was part of a 100% percussion outfit called Slagerij Van Kampen. The name is a pun on butcher (slager) and hitting (slag).

Cleuver was married to Bojoura, a Dutch hippie singer, who scored several hits in the late 60s and early 70s. George Kooymans of Golden Earring, then Golden Earrings, wrote several songs for her, but her hits were mostly covers, e.g. 'Frank Mills' from 'Hair' and 'The Letter'. Kooymans had received singing lessons from Bojoura's mother, who was a Bulgarian soprano. The song I remember best is 'If It's Tuesday, This Must Be Belgium', a song I heard somewhere not too long ago.

Just a little background with thanks to Wikipedia.

Gary
Mark
Wo. 

Breath Of Life. Ralph de Jongh

De Nederlandse muzikant Ralph de Jongh bracht afgelopen december in één keer maar liefst drie platen uit.
 
Het was mijn eerste kennismaking met de muziek van de Nederlandse muzikant, die overigens ooit werd ontdekt door niemand minder dan Harry Muskee (Cuby & The Blizzards).

Op de flinke stapel platen die Ralph de Jongh tot dusver in eigen beheer heeft uitgebracht domineert de blues en het is blues van hoog niveau. Het is bovendien blues die buiten de bestaande hokjes durft te denken en die heerlijk rauw, puur, eerlijk en intens uit de speakers komt.
 
De wat mij betreft mooiste plaat die Ralph de Jongh eerder deze maand uitbracht heeft echter niet zo heel veel met blues te maken en begeeft zich vooral op andere terreinen. Op Breath Of Live werkt Ralph de Jongh samen met de violiste Ewa Pepper (geboren als Ewa Górzynska).
 
De in Polen geboren maar al enige tijd in Nederland woonachtige violiste drukt nadrukkelijk haar stempel op de instrumentatie op Breath Of Live, dat verder wordt gedomineerd door de akoestische gitaar en de doorleefde stem van Ralph de Jongh. De combinatie van de akoestische gitaar en de viool vind ik een hele bijzondere. Ewa Pepper krijgt op Breath Of Live flink wat ruimte, wat de plaat van Ralph de Jongh een bijzonder of zelfs uniek geluid geeft.
 
De songs op de plaat bevatten meer invloeden uit de folk dan we van Ralph de Jongh gewend zijn (al duikt stiekem ook wel wat blues op), maar ook dit is een genre waarin de Nederlandse muzikant uitstekend uit de voeten kan.
 
Zeker wanneer de viool de hoofdrol opeist heeft de muziek van Ralph de Jongh en Ewa Pepper een zeer stemmig karakter, maar de ingetogen klanken zitten ook vol gevoel. Dat wordt nog eens versterkt door de zang van de Nederlandse bluesmuzikant, die zijn hart in ziel legt in zijn vocalen. De combinatie van de vaak wat melancholisch aandoende klanken en de emotievolle zang van Ralph de Jongh geeft de plaat een bijzondere lading en het is een lading die aan komt.
 
De naam Ralph de Jongh klinkt natuurlijk zo Nederlands als de pest, maar in zijn zang hoor je hier gelukkig niets van terug. Een Nederlands accent is voor mij met grote regelmaat een afknapper, maar Ralph de Jongh klinkt alsof hij zijn songs heeft ingezongen in een lokale kerk ergens in het diepe Zuiden van de Verenigde Staten.
 
Omdat de productiviteit van Ralph de Jongh momenteel kennelijk geen grenzen kent, is Breath Of Live ook nog eens een dubbelalbum met maar liefst 17 songs en bijna twee uur muziek. Het is allemaal muziek die het moet doen met het veelkleurige vioolspel van Ewa Pepper, het sobere akoestische gitaarspel van Ralph de Jongh en zijn meeslepende zang, maar vervelen doet Breath Of Live geen moment.
 
Ik moest heel even wennen aan het sobere karakter van de plaat, maar inmiddels laat ik me keer op keer meevoeren door het fascinerende vioolspel en de emotievolle zang op de plaat. Breath Of Live is een buitengewoon fascinerende plaat, die alleen maar meer glans krijgt door het feit dat Ralph de Jongh al zijn muziek zelf uitbrengt en dit jaar ook nog veel andere muziek heeft gemaakt. Die andere muziek ga ik later nog eens ontdekken, want voorlopig beperk ik me tot het intense, wonderschone en uiteindelijk verslavende Breath Of Live.

Erwin Zijleman

Je kunt Breath Of Life  hier kopen:

https://ralphdejongh.com/product/breath-of-live/

Here's the link to our Spotify Playlist to find out what we are writing about:

https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g

Sunday, 11 March 2018

Eurus. The Oh Hellos

They still exist those bands that unashamedly play and sing that overly optimistic modern folk tunes. The Oh Hellos is one of those bands.

No newcomer to this blog, it returns with its seven song mini album called Eurus. Brother and sister Maggie and Tyler Heath sound happier than ever on Eurus. The fiddle drives the songs forward, the acoustic string instruments do the rest. The mix of Irish folk and U.S. stamina creates a mood that is as good a cure as any against all the gloom coming out of the U.S. in the past year and a little. So soothing, so soft and optimistic Eurus opens.

The singing, dancing and playing (probably some drinking as well) together around the fire element is overwhelming on this record. At the same time a little Dropkick Murphies is let into the music giving the music a little kick in the backside to spruce things up a little. Just this hint of darkness, that comes mostly from a bass guitar and drums.

The album does start so exuberant, it gathers pace and speed along the way. 'O Sleeper' starts in a dreamy way, like a brook in a forest before it goes out into the wide, open world. Slowly it winds its way into the world before it becomes a stream. Ever wider and wilder. The whole of Smetana's 'Moldau Symphony' in a few minutes. Towards the end of 'O Sleeper' The Oh Hellos takes us back to the beginning. The short instrumental song 'Dry Branches' takes us back into the forest and makes us look at that small brook again. Focusing on all the sounds, made by the birds, the furry little things scurrying beneath the branches and leaves on the forest's surface and the wind in the trees.

The album starts getting into its own with 'Grow'. "Let the river run its course ... and let the wild take over". And I hadn't noticed this line when I wrote the above. The previous songs' imagery was enough for my mind's eye to summon it. The Heaths again slowly go all out in this song. It is so catchy in a way that it is impossible not be affected if not infected with the mood of the record. This eclectic song is the one reminding me most of the now almost ex-folk revival of 201x. 'Grow' is the kind of song that deserves being added to the roster. Especially as it moves into the more classic folk song, fiddle and banjo all around, 'Eurus'. The voices multiplied into a choir.

Eurus is the Latin name of the Greek God of the Eastern wind Euros. In my country an eastern storm is a rare thing. (And then we had one today. Circa one week after writing these lines. Freezing cold for this country it was.) Eastern wind is either cold in winter or warm in summer. It comes from the east, from the continent. So it usually is everything this record is not, quiet and exceptional.

The party just grows and grows as Eurus progresses towards its final three songs. The fun of listening keeps pace with the party The Oh Hellos offers me. It not just about dancing though. There is so much determination and strength gathered in Eurus. It is as if The Oh Hellos is making one last stand. They are building a wall of some kind. The sound of Eurus is so big, so larger than life almost. And yes, dancing is allowed. Wild, with full abandon, as if nothing can break.

Looking at the band's Bandcamp site I notice I have missed an album, another 7 song one, called 'Notos'. The south wind. This implicates we have two more albums to go, Zephyros and Boreas. All to be combined in a box set called Anemoi in 2020. If they are much fun as Eurus is, let me sign up here.

Wo.

You can listen to and buy Eurus here:

http://music.theohhellos.com/album/eurus

Here's the link to our Spotify Playlist: https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g