Thursday, 4 February 2016

Signe Toly Anderson, 1941-2016 IM

The death of Jefferson Airplane co-founder Paul Kantner attracted quite some attention last week, but only now I found out that another former Jefferson Airplane member died in the same week. Believe it or not, Signe Anderson died on exactly the same day, 28 January 2016. Born Signe Toly in 1941, she was married to Jerry Anderson at the time and together they had a baby in 1966, the reason she left the band after only one album, 'Takes Off'.

Now Anderson's impact on the band is not as large as the other core member's. She was a background vocalist more than a true singer. Her song was the blues 'Chauffeur's Blues'. A powerful song, by which she will be remembered by rock fans loving 60s music. As an anecdote, I received this album on the eve of my 26th birthday while in Paris with some of my best friends for a few days. Some place to receive an album.

It is safe to say that Jefferson Airplane probably would not have soared with Mrs. Anderson as it did with Grace Slick. Her songwriting skills and presence were so much more profound and original. Probably fate and then take into account that Slick was second choice only.

That leaves us with that debut album of a band that gained fame and some notoriety in the later 60s. Signe Anderson's voice is nice there and in one song totally present. She's allowed to give it her all and does. A just claim to a little fame.

Wo.

You can listen to 'Chauffeur Blues' here

https://www.youtube.com/watch?v=Q0IM677fmqw

or buy on Bol.Com

Carry The Ghost. Noah Gundersen

De Amerikaanse singer-songwriter Noah Gundersen maakte vorig jaar flink wat indruk met zijn officiële debuut Ledges (lees Erwins recensie hier: http://wonomagazine.blogspot.nl/2014/06/ledges-noah-gundersen.html), dat uiteindelijk kon worden geschaard onder de beste rootsplaten van het afgelopen jaar.
 
Ledges, dat me meer dan eens deed denken aan de betere platen van Ryan Adams, bleek een vrij traditionele rootsplaat zonder al te veel tierelantijntjes, al gaven de invloeden uit de gospel en het buitengewoon fraaie vioolspel van zus Abby het officiële debuut van Noah Gundersen absoluut een eigen geluid.
 
Voor opvolger Carry The Ghost kon Noah Gundersen beschikken over een ruimer budget en dat is te horen. Carry The Ghost klinkt bij vlagen voller en rijker dan Ledges en pakt af en toe uit met een bijna groots klinkend geluid, waarin gelukkig nog steeds een plekje is ingeruimd voor de viool en cello van Abby Gundersen.
 
Tegenover de wat grootser aandoende songs staan nog altijd volop uiterst intieme rootssongs waarin de bijzondere vocalen van Noah Gundersen de meeste aandacht krijgen. Vorig jaar was lang niet iedereen overtuigd van de vocale kwaliteiten van de Amerikaan, maar persoonlijk vind ik zijn emotievolle en soms fluisterzachte vocalen prachtig.
 
Invloeden uit de gospel zijn nauwelijks te horen op Carry The Ghost en zijn vervangen door een breed spectrum aan invloeden uit de Amerikaanse rootsmuziek (met een hoofdrol voor de countryrock uit de jaren 70) en daarbuiten.
 
Ook in de wat meer ingetogen tracks kan de muziek van Noah Gundersen overigens behoorlijk uit de bocht vliegen, maar veel songs op de plaat hebben gelukkig de beklemmende intimiteit van het zo bewierookte debuut. Carry The Ghost is hierdoor een plaat die je makkelijk bij de strot grijpt, maar het is ook een plaat die door alle dynamiek nog lang blijft verrassen.
 
Ook bij beluistering van Carry The Ghost moet ik met enige regelmaat denken aan de platen van Ryan Adams, maar zo goed als Noah Gundersen op zijn nieuwe plaat is Ryan Adams al heel lang niet meer geweest.
 
Carry The Ghost is een aardedonkere plaat van een enorme schoonheid, die uiteindelijk nog stukken beter is dan het al zo goede debuut. Wat een prachtplaat.

Erwin Zijleman


Je kunt hier luisteren naar 'Heartbreaker'

https://www.youtube.com/watch?v=YeMl81msTvY&list=PLN64OV1Xuk0SkzvUF8Her2Eh22cdoMO4_

of kopen op Bol.Com


Wednesday, 3 February 2016

Indian Askin EP. Indian Askin

Recently Indian Askin featured in a post assessing Oor's tips for 2016. I promised a review of the EP and here it is.

With its EP Amsterdam based Indian Askin dives into things indie with a psychedelic twist here and there in a way that makes listening to the music an extremely pleasant experience. 'Answer' which opens the EP, leaves no doubts about the intentions of Indian Askin. The pace is firm, while atmospherics are let in making the song float as if on a carpet hashish laden fumes. Without letting the fumes distract the purpose of the song for one second. "You don't need drugs to play psychedelic music", the guys from PAUW said in an interview somewhere. I can't put my hand in the fire here, but the music doesn't lack focus, that's for sure. Whatever the question though, the band is adamant: the answer is no, exclamation mark!

With 'Really Wanna Tell You' Indian Askin moves into Black Rebel Motorcycle Club territory. Fast paced rock with The Cure elements and again psychedelia. I like this song as I like 'Whatever Happened To My Rock And Roll. The drive is addictive and trance inducing. There's so much energy in this song. Probably a lot of fun live as well.

The shit in 'Island' seems less focused though. I remember listening to an album by Group 1850 once, 'Island' brings on the same associations. Floating for the floating? Perhaps.

The revenge comes with 'Candles'. The drums take on the song full force obliging the rest of the band to follow. A very much alive guitar solo spikes the song as do the somewhat hidden harmonies. The Beatles 1966 come forward here and there as well in the more psychedelic underwater coda of the song. 'Candles' is an instant pleaser.

Three out of four is a good score. The only thing holding me back from great jubilation is the voice of singer Chino Ayala. It remains to be seen if that lasts me for a whole album. For now, 2016 is off to a great start with another band from Dutch soil. Last year Palio Superspeed Donkey, this year Indian Askin? Who knows. This EP begs for more.

To end this post. What a beautiful cover this EP has. A true piece of art.

Wo.

You can listen to 'Answer' here:

https://www.youtube.com/watch?v=Iso5nr6V6uo

Hear and see the band let it rip at Giel 3FM. Utterly fantastic:

http://giel.vara.nl/nieuws/indian-askin-live

and buy Indian Askin on iTunes

https://itunes.apple.com/nl/album/indian-askin-ep/id1070330085

Tuesday, 2 February 2016

Thin Walls. Balthazar

Balthazar is one of those bands who's name was humming around in my periphery for the past years, but somehow one of its records never made into my player. With Thin Walls that changed and to my great satisfaction I can add.

Balthazar is a band from Belgium, from Kortrijk and Ghent to be more precise. It consists of Maarten Devoldere, Jinte Deprez, Patricia Vanneste, Simon Casier en Michiel Balcaen. The band started in 2004 and is big in Belgium since 2010. In my country the interest grows by the album and the band is no stranger to Europe's high and byways.

Thin Walls is band's third album after 'Applause' and 'Rats' and at this point in time close to a year old. As I've only discovered it recently and liked what I'm hearing a review follows any way. Reading up a bit on the band I found for example that 'Rats' is seen as one of the best Belgian albums ever. And I haven't heard it once!?

Thin Walls is an album that always has a break on. Balthazar keeps things in mid-tempo and subdued. It excels in the details and the melodies. Singers Maarten Devoldere and Jinte Deprez, who both take turns in singing lead, are not the most exuberant of singers. In that I'm reminded of Gerrit Van Dyck of The LVE. Balthazar's music has the same sort of melancholy around it. From there the music can go from an 80s influenced indie song, to a schmalzy ballad, a mild rocker or a song with an Air influenced, plopping bass. All together it grows into an intriguing album called Thin Walls.

It is an album that does not excite me. It doesn't make me jump up and down the stairs, not even when I'm sitting in my chair. What it does do, is make me want to listen to what is going on and follow the free flowing melodies and the little musical surprises that are on offer in almost every song. That layer of discoveries that come with each next listening session. That what can make listening to music so much fun.

Balthazar is a band that is not afraid of silences. Less is more is the adagio in some of the songs. Right in the opening of the album, 'Decency', the slow strings grab a lot of attention, but it's the fingersnaps that make the song spicy, and the dropping away of instruments that come back or not, that make it special.

'Then What', the first single of the album, is much more straightforward, but adorned with some bells, that provide the lead notes. Within seconds the song is a lot less straightforward as I expected from the first listening session. Look for these little things and you'll find them all over the record. With a song like 'Bunker' there is some real magic entering Thin Walls and where The LVE gets closest. At that point in time the indie gem 'Last Call' still has to come.

There is an odd song out though. The rock and roll intro of 'I Looked For You' is treated to a Tom Waits twist half way into the intro. The rhythm keeps this atmosphere up. 'I Looked For You' is a mix of the Balthazar sound and the outer worldly rhythms of Mr. Waits. An interesting mix it is.

Having found out about Balthazar in an active way, it's time to delve in the past. Is 'Rats' really that good? Time to find out. For now I'm totally happy with Thin Walls.

Wo.

You can listen to 'Then What' here:

https://www.youtube.com/watch?v=Ac7L5DGV_DA&list=PLcZfCsSZiih9uzZZpn8qT6BhLsll4Ud4R

or buy on Bol.Com

Monday, 1 February 2016

2016. An assessment of Oor's tips for this year, part 1

Like last year The Netherland's leading music magazine, 'Oor', gives a shot at prophesying and takes out the glass bulb to look into the future. Also like last year WoNo Magazine takes a listen at the 11 artists that are tipped for a breakthrough in the year 2016. Next week, or thereabouts, part 2.

The first band is Indian Askin. Now we can write that this band featured on this blog almost two years ago. The band played a support gig for De Staat in Patronaat. I remember more of the atmosphere the band created than the music. The visuals were really special and created on the spot, so that the band remained mostly outside of the light, creating a moody atmosphere. My impression was that the band needed time before it was ready to record, that there was more to develop. I did not expect that to take nearly two years though.

Last week an EP called Indian Askin was released. The music and singing is just slightly off the beaten track, alternative, indie. Like the visuals, the music also works with moods, a little psychedelia. Some indie rock. It would surprise me if this EP will get as much attention as Pauw's EP last year, but I think it's worth a review on its own. So that may just be the case quite soon.

De Likt. Looking at the picture of the front man of this Rotterdam based band, I'm almost certain that I saw this man performing on tv somewhere last fall. All anger, shouting and jumping around. Something with beats and hip hop or something. Totally not my thing, as people reading this blog may have noticed. On Spotify I find the song 'Ja, Dat bedoel Ik'. What can I say? Just what I mean, an aptly titled song. There are beats, sythns sounds and a rapper. Blood, scene, chickies, bitches, it's all there. It may well be that there is a market for De Likt, I just don't know.

Number three is a band called Causes. If the band already played at Pinkpop previous spring then it is a bit easy to predict a breakthrough, wasn't that last year and where was Causes then in the previous list? Listening on Spotify to a song called 'Teach Me How To Dance With You', I'm almost certain that I heard this song before. If I did, it didn't make much of an impression on me. It is is a darkish pop song, built around a fairly repetitive chord progression and a guitar riff, drenched in echo that reminds me too much of the James Bay kind of music, so Sheeran also. Then a second song starts playing, 'Walk On Water' and I'm certain that I know this one. So what breakthrough? Causes has been on the radio more than once already, that much is obvious. On the radio or not. 'Walk On Water' holds the same objections for me. Causes never makes a song come alive enough, for me. It's not bad, but has far from its own sound.

Canshaker Pi is number four. Two of the four members have featured on this blog a few times. As members of Palio Superspeed Donkey. Now it is a fair question to ask why start a second band when you have such a good first one? Fact is Canshaker Pi is there and plays a somewhat harder, more ramshackle form of alternative rock. Lots of screaming by the singer. The guitars are played a lot more shakey, so we move into an alternative punky sort of rock, where it is less important to really finish a song in the way of neatness, but more about the impact and directness. Perhaps like painters who paint as if they're children, primitives. A little left of center. Perhaps it takes an acquired taste, but the first listening session makes it harder for me to catch on than PSD's music does. The video of 'Shaniqua' is total fun though. Amsterdam, band and friends, including Tim Knol (who doubles as label manager of Tender Records) feature and Hennie Vrienten.

BTW in Belgium it's completely normal to play in five bands. Perhaps that Willem and Ruben are setting an example that there's no reason not to do this in NL.

OIJ, or Valentijn Crouwel or Only In Japan. What to write after the alternative rockers of Canshaker Pi when I'm listening to this modern pop music of the slicker variety. The EP 'Luminate' is on Spotify and has the sort of rhythm and singing that I associate with the singer who at this point in time does a The Beatles 1964 in the U.S. charts at this point in time in Nl, Justin Bieber. Enough said does it, I guess. Not my kind of music.

There's another band that doubles in the pages in Oor. The first signals were that the bass player had started a new band in London, but it turns out that a band, who released a fairly disappointing third album in 2014, decided to do an about face in music and under a new name, St. Tropez. In this case it's a bit unclear whether it is the end of Go Back To The Zoo or that the members are betting their hatches?

St. Tropez is a punk band. Listening to the first song on an EP, called 'Cut Me loose' I had the idea that The Miseries had a new song out. The first impression is as simple as it is straightforward: Nothing new under the sun but so much fun. One thing is for sure. St. Tropez does not have the same singer as GBTTZ. Much lighter and more pleasant. Googling I find that the first EP of the band is one year old this month. That, again, makes it a bit dubious choice as tip for 2016. Were it not that I hadn't heard it before and truly like what I'm hearing. Believe me, the album that St. Tropez is about to release is going to be as much fun as 'The Miseries'. The songs are all in your face, rocking, garage punk and exciting. All that that final(?) GBTTZ album was not.

More in general, with a duo like Haevn coming up next week, it is safe to say that Oor is making some very sure bets. Last year with some bands I really had trouble finding songs on the Internet. Like last year it is a varied lot but I do wonder whether there really are no bands or singers that work in the Dutch language deserving to be tipped? There ought to be, is my guess, although I couldn't provide an example. A thought for next year, dear 'Oor' colleagues?

Wo.