Everyone seriously involved in music will recognise the following. You follow an artist for several albums and see a few live shows and then for reasons that are not determinable, you miss an album and another one and even forget to play older albums. That happened to me with Joan as Policewoman somewhere in the 10s. Come 2026 and I'm alerted to a new version of her debut album, Real Life.
Many artists say that they would have liked to spend some more time recording or that a song takes on a different guise due to the many times it is played live. It is less usual that an artist reimagines his/her own recordings. More often it is a remix by another producer or musician. Not Joan Wasser, she went back into the studio, well a few actually, to come out with new versions of the songs from her first album.
To prepare for the new version, I decided to look into my backlog of WoNo Magazines, but to my surprise I did not find a review of 'Real Life' there. That makes it impossible to share my original thoughts with you. My guess is that my response then, would not have been that much different as it is today with the Evolution version. Joan as Policewoman does not go for immediate effect but for longevity. She does not play easy to digest pop music but commands listening to get to know the songs better with each spin, to unlock the inner richess of the melodies and arrangements.
What I decided not to do is compare the two versions. The new voices, Krystle Warren on 'I Defy' and Iggy Pop in 'Save Me are totally obvious, but other changes will be far more subtle. A difference is also in Joan Wasser's voice. It has aged in a pleasant way. This little extra edge to it, makes for good listening.
With her music Wasser hovers somewhere between pop and jazz. Opener 'Anyone' with its fretless bass makes that clear from the very start. The singing of the harmonies gives a little soul edge to the song as well. I only have faint memories of Ella Fitzgerald records of the generation preceding mine, but I can imagine Ella singing a song like 'Anyone' in a more jazzy arrangement. The song gives the album a very serious, yet pleasantly and good start.
I hadn't played 'Real Life' for quite some time. I gave a copy in the 00s to my now wife, but unfortunately she is a little less accurate storing her records, so good luck finding it somewhere. The songs all sounded instantly familiar though. Even in such a way that it is hard to pinpoint to the new elements. My gut tells me they are there though. A little slower tempo, a new harmony vocal, a different setting of instruments? I think it's all there, but what is more important, 'Real Life Evolution' is a good album. The album shows off the richness of the songs but also the musicianship and musical imagination of Joan Wasser. Listening to the Evolution version is a joy.
Do I recommend buying the album should you have the original version? Yes, I do. Joan as Policewoman shares her evolution with the 'Real Life' songs in the past twenty years with her fans or even newly interested individuals who missed out on the first time. There is a lot of beauty to discover on the new version.
Wout de Natris - van der Borght
You can listen to and order Real Life Evolution here:
https://joanaspolicewoman.bandcamp.com/album/real-life-evolution-album-2026
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