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| Photo: WdN-vdB |
When I walked in everything was set up with these very colourful cables on the stage and even yellow and blue coloured microphones. It looked quite special. During the show the cables seemed to change colour a little with the change of lightning. I'd never seen anything like it before.
My introduction to the band was through its last album, 'Trash Classic', but there are eight in total already. I heard a few familiar songs during the show but also a lot I'd never heard before or did not recognise. It didn't matter one bit. The band came on stage and went off and kept going at it until the very, very last note.
The start was impressive though. Over fast synth notes played by new member Jon Modaff, the other four played starts and stops that seemed to go on forever, in all sorts of variations, without missing a beat/chord/note. What a way to start a show! Very impressive. It was all led by a drummer who has the energy for a thousand shows in one. Nick Aguilar simply doesn't know how to stop playing, yet always falls back into the rhythm. There's so much power in his drumming that the band just has to follow. No one can let up for even a second. Aguilar impressed me the whole show long.
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| Photo: WdN-vdB |
Finally, what to call this music? In the live setting, I can't tell you. There was a little of everything, like punk, trash, garage, something-core, etc., and yes, some psychedelia, at the moment the keyboard managed to get over the rest that is. Loudest that is the right word. Great fun to look, from a bit at the back for me. Not counting the insane trio The Forty Fives, the only louder show I've ever been was A Place To Bury Strangers. There were elements in the guitar swaths played that reminded me of that show, but it stopped there. The song was always present with Frankie and the Witch Fingers and that makes it a winning show. I was smiling the whole of the way home, rain or no rain.
Wout de Natris - van der Borght


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