Reading my review of the aforementioned album, I could sort of repeat it. At heart these are like minded albums. Inspirationally they seem to come from the same place. Having written these words, there is a strong necessity to add to them. Why?
On Crooked Kristin Hersh seems to take everything one step further. She rocks harder or is fully vulnerable in the songs. How is it that in the final song, 'Rubidoux' that is no more than a small riff being repeated over and over, yet she keeps my attention the whole time? Ending the album abruptly. Ending it like the sunset on the cover.
The album opens as if something goes wrong while playing the guitar. Like someone making a mistake in his slide towards a note. Ever so small, but discernable. The song continues, bare, elementary. Kristin Hersh starts singing with her voice that is clearly damaged, has aged. She never had an angelic voice, to be sure. It just worn out a bit more and fits the ragged music on Crooked perfectly. 'Moan' is slowly but surely flashed out. There's even a guitar with a flangy effect dubbed in. This is the most frolicking element of 'Moan'. Yet by the 30 seconds the song gets more impressive. The kind of song I do not want to stop (and luckily does at the right moment). It is the same few chords repeated over and over and they are more than enough here.
Promo photo |
Not so long ago I wrote that 2019 so far was not exactly an impressive musical year. Just these past weeks I found that there's a strong need to revise that impression and Crooked is right in the middle of this all. What a great and strong album.
Wo.
You can listen to and buy Crooked here:
https://kristinhershfire.bandcamp.com/album/crooked
or listen to our Spotify Playlist to find out what we are writing about:
https://open.spotify.com/user/glazu53/playlist/6R9FgPd2btrMuMaIrYeCh6?si=KI6LzLaAS5K-wsez5oSO2g
And then I found out this is a re-release. Well, it doesn't change anything of what I wrote. This is a stellar album, that had simply passed me by at the time.
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