zondag 22 januari 2023

2023, Week 3, 10 singles

This week ends with a discovery of huge proportions. What a song that is but don't forget to takein the rest. A singer who has a place on this blog from the very, very beginning and returns with a song that surely rocks her oeuvre's boat. And many things in between. New names and old names. They are all here. Enjoy!

Infinity Song. Robin Kester

With thanks to Amber Arcades, who will tour The Netherlands with Robin Kester as support act, I got to know this artist. It's totally understandable that this duo going on tour together; based on one song that is. Infinity Song has the energy 'Fading Lines' has. Robin Kester, from Groningen, has two EPs to her name, from 2018 and 2020 and is about to release her debut album. Most likely delayed by the pandemic with one or two years. That's the story of all our lives. Infinity Song is an up tempo, alternative rock song, with a strong rhythm, drums and bass are extremely tight, the drums perhaps a machine it's so tight. Over it some atmospherics and electronics hover over and behind the song, while guitars are allowed to go all out here and there. Robin Kester sings over it in a dreamy, almost absent way. Enter, Amber Arcades. Fun fact. Before Infinity Song I listened to the new Peter Gabriel single. The songs are somewhat similar, where the atmosphere is concerned. And look who has made it to this week's singles and who hasn't (hint: boring).

Shakin' Ain't Fakin'. The Hip Priests

Some independent (punk) rock from the U.K. This band has raged over the stages of Europe and the U.S. following a string of no less than 30 singles and four albums. Here's number 31 presaging number 5, 'Roden House Blues' set for May. Shakin' Ain't Fakin' lets it all hang out. The Hip Priests mix everything from AC/DC, Guns 'N' Roses and a lot of punk rock into a storm of a song. Filled with strong hooks and a chorus to raise fists and shout along to. The energy caught on record must match a live show as more is humanly impossible to receive and maybe produce and share as well. Shakin' Ain't Fakin' is the real thing alright.

Anyway I Found You. The Men

Oh, yeah. Some delicious slacker punk rock from NYC's The Men. Or, call it a punk ballad, whatever you prefer. The sound is all what it needs to be, it's the tempo that has gone somewhere into the mid section. The Men hit the nail on the head anyway. All through the song a slide guitar wails away, as if Billy Ray Cyrus has found his way into a rougher scene. The rest of the band pretends as if the tempo has not been brought down. In the background the drummer is pounding away and driving the song forward as loud as he can. The singer's voice is as rough as can be (here). Just like the guitars are. All in all, Anyway I Found You is a ballad making me even more curious of the album. 'New York City' is out on 3 February.

Skipping Stone. néomí

The first 3FM talent of 2023. It is honourous of course but who listen to 3FM these days? I'm not, for several years, and most likely Skipping Stone was not made for people my age. That apart, I've decided to give the song a fair chance. And, yes, it has something, a certain star quality, but does not convince me fully. Let me explain. Ever since a new generation of female singers broke big in this country, for some reason they all sing the same way and that makes it almost impossible to keep them apart. Next to that, néomí musically sounds like Duncan Lawrence with a guitar added. The song does have an atmosphere that makes me listen to it and prick up my ears. For now I am somewhere in between. There's a new EP underway and I'll certainly give it a chance.

Utopia. Grande Royale

Utopia is the kind of song that truly sets the listener on the wrong foot. It starts with a singer and an acoustic guitar. Enter the band and a big fat Hammond organ (sound?). The start could be the beginning of a fast country song. The ending is more like Dropkick Murphies without the uilleann pipes and other Irish stuff. The vocal duties are shared as well giving making Utopia an even more varied song. It's only two weeks ago that 'Tell Me' features on these pages and here is a new single already. A totally different one at that, as Utopia is far more hard rock combined with Celtic punk rock. The energy level Grande Royale shares is about the same. The Swedish band is on track to a great record. Expect 'Welcome To Grime Town' somewhere in March.

Rock The Boat. Karen Jonas

There's no limit to Karen Jonas' music it seems. With Rock The Boat she takes on another boundary and takes it as if their was no boundary at all. Rock The Boat moves from a pseudo blues song from the 1920s to a modern alternative country song bordering on an alternative rock ballad. The tension build up in this single grows towards huge proportions without a final release. Instead the song is wound down once again. All through the past decades I've heard songs like this from folksy singer-songwriters. What Karen Jonas adds is an atmosphere as if she's escaped from the netherworld. Ghostlike sounds are all over Rock The Boat. Somewhere she sings "don't be afraid to die". With a song like this in my ears it may just be the case. My boat filled with Karen Jonas songs was rocked severely as a song wanted to come on board, claiming just about all the space of over a decade of songs. Welcome!

Cadillac, Cadillac. Dropkick Murphys feat. Sammy Amara

Months after the release of the band's latest album it is released again already with extra tracks. I never got around to listen in the first place, sorry, but here's a single to celebrate the re-release. Also, here's Dropkick Murphys without uilleann pipes and other Irish stuff itself. Cadillac Cadillac is of course about the car and just as of course a classic 50s, 60s or 70s convertible of about a street or two long. Dropkick Murphys leave at home any reference to their Irish roots, except for some pub shouting along the way. This is a true rock and roll style song as could be heard ever since the 1950s. Add some country twang guitar soloing, strong bass runs and a tight rhythm and you have all you need in a song like Cadillac Cadillac. The two singers want themselves one, no matter how. I'm sure they will succeed.

Gamma Rays. Temples

Looking it up I found that Temples was on the blog for the first and last time with 'Sun Structures' in the spring of 2014. Has the band done anything in between? Probably but never reached me. With Gamma Rays the band returns on WoNoBlog with a danceable, slightly psychedelic song. The kind that manoeuvres itself brilliantly between upbeat and melancholy. The beat is decidedly upbeat, the singing has that impression of slowly dragging its feet, while the keys and guitars are perfectly balanced in the neutral area. It all results in a song that offers a lot to discover. Yes, it could have been a Django Django song for the way the electronics sound but is enough of its own. 'Exotico', 14 April, is the band's fourth, I just read. On the basis of Gamma Rays it could be well worth the wait.

Mosquitoes & Flies. Marathon

It may be that Marathon set a record for me. In the past I've seen many bands without a record and many with one or more albums to their names. But a band with one official single, 'Age'? That was a first. Here's the second one, Mosquitoes & Flies. No country in the world like Australia to experience the flies, were it not Marathon is from Amsterdam. The band's second song is a huge alternative rocker fulfilling all the ticks one has to place. Alternative sound? Check. Notes somewhere between in tune and false? Check. Huge sound? Check? Singing between singing and shouting? Check? Pumped up bass? Check. Distorted guitars? Checks. It all would be useless ticks if the song wasn't good. The young band presents a brazen song and throws it into the face of its listeners. Effect? Maximum. Task? Passed. Song? Wildly good.

The Hunter. Caspar Auwerkerken

Let's end with a soft, introverted song by Hasselt, Belgium singer Caspar Auwerkerken. He sings like he has just lost his last dime but finds a whole orchestra to underscore his loss in a grand way. The Hunter is a song that slowly grows and grows to huge proportions, without ever not being a ballad. This is Auwerkerken's third single and he sounds as if he's The Beatles able to get anything they want into Abbey Road's studio 2 at any time they want. Let's face it, The Hunter deserves this treatment. It starts small and introverted. A piano, electric guitar, bass and drums all play soft, accompanying the sad Caspar. Already the song won me over totally and in come the strings. Not full force and all the time, no, slowly but surely the song grows and grows. This huge a sound already and only working towards a debut EP? And not before somewhere in summer? Man, what a wait. Caspar Auwerkerken is a huge discovery and talent.

Wout de Natris

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